2.18 Hollywood Babylon

Air Date: 19 Apr 2007

FADE IN: WOODS - NIGHT

A young girl, WENDY, is exiting an abandoned house. She is searching with a flashlight, clearly scared.

WENDY

Mitch? Ashley? You out here?

Come on, guys! Where are you?

Hello? Hello?!

WENDY

Brody!

BRODY

Ashley and Todd - they're dead! Wendy, they're dead!

WENDY

Brody, pull it together.

BRODY

Pull it together?! We don't have a chance, okay? We have to get out of here now!

WENDY

No, Brody, we are not leaving. We have got to find my sister.

BRODY

No! No, I am getting out of here right now!

He runs off in the other direction.

WENDY

Brody! Brody, get back here! Brody! God, you son of a bitch!

She hears movement behind her and stops crying. When she turns, she lets out a long, loud scream, but quickly begins to look annoyed.

It is revealed that the girl is on a movie set. A camera is in her face, with a tennis ball fixed to the top, representing the monster she's supposed to be screaming at. She stops screaming, looking disgusted. The director, McG, watches from the sidelines.

McG

Cut!

(under his breath)

What the hell was that?

The lights come up on the set. A props guy takes the flashlight from the actress playing Wendy, TARA BENCHLEY. A production assistant, WALTER DIXON, hands TARA a Snapple.

WALTER

Here you go.

TARA

Thanks, Walter.

McG walks over to TARA, who is shaking up her drink.

McG

It's all good, Tara, that was great. Let's do it again. Uh, maybe try dialing up that scream, huh?

TARA

I know. I know. I'm just... I'm having trouble with the tennis ball.

McG

Oh, that is just for CG registration. Now, when Ivan and the FX guys are done, it is going to look terrifying. Do you wanna look at the concept sketches again? Will that help?

An assistant brings over a notebook full of sketches of the monster.

TARA

No, that's okay. I'll find it, I'll find it.

McG

I know you will, pumpkin.

SET WORKER

Going again, everybody! Ten-minute reload for camera and sound!

TARA sits in her chair by Rick, the actor playing Brody. Another set worker, Frank, is talking to them.

Frank: Oh, man, I'm telling you - working alone behind the sets, or after wrap? I catch this weird vibe sometimes.

Rick: Oh, like what?

Frank: Like something's watching.

Rick: Come on.

Frank: Hey, working on a movie like this? Weird crap is bound to happen.

Rick: (to TARA)

Frank here thinks the stage is haunted. Like, for real.

She laughs.

Frank: All I'm saying is, they call wrap, I'd get done, and I'd get out of here. Fast.

He walks away.

Rick: That guy is definitely off his meds.

They laugh.

CUT TO: Later, TARA is standing in the middle of the "woods", going over her lines.

TARA

Brody, come back! You son of a bitch!

She tries practicing the scream, but she can't quite get it.

TARA (cont'd)

Brody, come back! You son of a bitch!

Again, she tries screaming. Suddenly, she hears someone on the set nearby.

TARA

Hello? Guys? Come on, it's not funny.

(No answer)

Okay, haha, very funny.

(Again, she hears someone)

Hello? Who's there?

She keeps walking among the forest scenery, until she sees a baseball cap fall in front of her. She looks up to the scaffolding and very quickly sees a male ghost, before it vanishes. Then, she notices that Frank is dead, lying on his stomach while blood covers his face. She lets out a long, bloodcurdling scream.

On the other side of the set, McG and the production crew hear TARA's scream.

McG

Now that's what I'm talkin' about!

END Teaser

EXT. LOS ANGELES, WARNER BROS. STUDIOS - DAY

Sam and Dean are taking part in the trolley tour of the studio, passing by movie and television sets.

TOUR GUIDE

First opened in 1927, the lot has been in continuous operation for eight decades.

Dean turns to a kid next to him, eating ice cream.

Dean: Hey, you know this is where they filmed Creepshow?

The boy ignores him.

TOUR GUIDE

Now, to the right, here is Stars Hollow. It's the setting for the television series, Gilmore Girls. And if we're lucky, we might even catch one of the show's stars.

Sam, looking uncomfortable, turns to Dean.

Sam: Come on.

Dean: Let's finish the tour!

Sam hops off the trolley.

Sam: Dean!

Dean hops off as well, and they continue walking around the lot.

Dean: Sammy, check it out, it's Matt Damon!

Sam: Yeah, I'm pretty sure that's not Matt Damon.

Dean: No, it is.

Sam: Well, Matt Damon just picked up a broom and started sweeping.

Dean: Yeah, well, he's probably researching a role or something.

Sam: I don't think so.

(noticing a sign)

Hey, this way. I think Stage 9 is over here.

Dean: Come on, man, let's keep going this way.

Sam: No, come on, we've gotta work.

(Dean sighs)

Dude, you wanted to come to LA.

Dean: Yeah, for a vacation. I mean, swimming pools and movie stars, not to work.

Sam: This seem like swimming pool weather to you, Dean? I mean, it's practically Canadian.

Dean: Yeah. I just figured that after everything that happened with Madison, you could use a little R-and-R, that's all.

Sam: Well, maybe I wanna work, Dean. Maybe it keeps my mind off things.

Dean: Okay, okay. All right. So, this crew guy - he died on set?

Sam: Yeah, rumors spreading like wildfire online saying the set's haunted.

Dean: Like Poltergeist?

Sam: It could be a poltergeist.

Dean: No, no. Like, the movie Poltergeist.

(Sam shrugs)

You know nothing of your cultural heritage, do you? It was rumored that the set of Poltergeist was cursed. That they used real human bones as props. And, like, at least three of the actors died in it.

Sam: Yeah, it might be something like that.

Dean: All right, so this crew guy - what's his name?

Sam: Frank Jaffey.

Dean: Frank Jaffey - he got a death certificate or a coroner's report or anything?

Sam: Well, no. But it's LA, you know? It might not even be his real name. But the girl who found him said she saw something - a vanishing figure.

Dean: What's the girl's name?

Sam: Tara Benchley.

Dean: Whoa, whoa, Tara Benchley? From FeardotCom and Ghost Ship, Tara Benchley? Dude, why didn't you say so?

Sam: So now, you're suddenly on board?

Dean: (becoming serious)

Oh, I mean, I'm just a fan of her work. She's very good.

He walks away

INT. STAGE 9 MOVIE SET

One of the studio execs for the movie, BRAD REDDING, is talking to McG and the producer, JAY WILEY.

BRAD

No, look, don't get me wrong. Everyone at the studio loves the dailies, myself included. We were just wondering if it could be... you know, a little brighter.

JAY

Brighter?

BRAD

Yeah, Jay. More color. McG, you know what I'm saying, you're the master of that stuff.

McG

Brad, this is a horror movie.

BRAD

And who says horror has to be dark? It's sort of depressing, don't you think?

He notices Sam and Dean enter the set.

BRAD

Uh, excuse me, Green Shirt Guy?

(Dean points to himself)

Yeah, you. Come here.

Dean exchanges a look with Sam and walks to BRAD.

BRAD

Can you get me a smoothie from Kraft?

Dean: You want a what from who?

BRAD

(scoffs)

You are a P.A.? This is what you do?

Sam quickly walks over to "save" Dean.

Sam: Yeah, yeah... uh, one smoothie coming right up.

They walk away.

Dean: What's a P.A.?

Sam: I think they're kind of like slaves.

They give BRAD a thumbs-up.

BRAD

They'll let anybody in this business, huh?

CUT TO: Later, the cast and crew are getting ready to resume shooting. Dean sets down the tray of smoothies he had gotten and starts to go up the stairs to the scaffolding. Suddenly, the lights on set go down, and the actors begin their take.

McG

Why don't we take it from, "Come on, it'll be fun." And, action!

The actors are now standing inside the abandoned house, and "WENDY", played by TARA, has a book open in front of her.

WENDY

(to her friends)

Come on, it'll be fun.

She begins reading from the book in very choppy Latin. While she is doing so, Dean makes his way up the scaffolding. He takes out his EMF meter and scans the area, but nothing happens. Meanwhile, TARA is trying her best to read the Latin, but is barely getting through it.

McG O.S

Maybe we'll finish this up tomorrow.

TARA

(breaking character)

Oh my God, I hate you so much right now.

McG

Cut!

The cast and crew all begin laughing.

McG

Very nice.

CUT TO: A few minutes later, Sam joins Dean at the Kraft services table.

Sam: So?

Dean: No EMF anywhere.

Sam: Great. So, what do you think?

Dean: Well, I think being a P.A. sucks. But the food these people get, are you kidding me? Look at these things.

(He picks up a sandwich)

They're like miniature Philly cheesesteak sandwiches. They're delicious.

He holds one of them out to Sam.

Sam: Maybe later.

Dean shrugs and takes a huge bite.

Dean: What'd you find out about the dead crew guy?

Sam: Frank Jaffey was just filling in for the day. Nobody here knew him or where he lived or anything.

Dean: Oh, great. So you found out about as much as I did.

Sam: No, not quite-

WALTER approaches.

WALTER

Hey, guys.

Dean: Oh, hey.

He watches WALTER walk away with a sandwich.

Dean (cont'd)

They're wonderful!

Sam: Listen, I did dig up some stuff about Stage 9's history.

Dean: Yeah?

Sam: Yeah, four people died messy here over the past eighty years. Two suicides and two fatal accidents.

Dean: Any one of those could be a vengeful spirit.

Sam: Yeah. We've just gotta narrow it down more.

Dean smiles as he notices TARA walk onto set.

Dean: (fixated by her)

I'll get right on that.

Dean walks over to TARA, grabbing a call sheet from one of the set workers as he walks by. Nervously, he steps up to TARA.

Dean: Are you supposed to get one of these?

She looks up at him and smiles, noticing his good looks.

Dean (cont'd)

I don't really know what I'm doing.

TARA

First day?

Dean: Yeah. My big break.

(She laughs)

You know, I know it's really uncool to say this, but I'm a big fan. I loved you in Boogeyman.

TARA

Oh, God, what a terrible script. But thank you.

Dean: Yeah.

(pause)

You found him, right? The dead guy?

(She goes quiet and looks away)

I'm sorry, you probably don't even wanna talk about this.

TARA

No, no, actually. It's okay. Nobody around here really brings it up very much. I think they're all scared I'm gonna have some kind of breakdown.

Dean: That must have been awful. What happened?

TARA

It was horrible. There was all this blood coming from his eyes and from his mouth. And, uh... I saw this, um...

She stops, embarrassed.

Dean: What?

TARA

I saw this shape. To tell you the truth, I don't know actually what I saw. I just know I saw it.

WALTER approaches.

WALTER

(handing her a Snapple)

Here you go, Tara.

TARA

Thanks, Walter.

He walks away.

Dean: So, this crew guy, Frank - did you know him?

TARA

No, not that well.

Dean: It's funny, it's like no one around here actually knew the guy.

TARA

I've got his picture.

Dean: You do?

TARA

(smiling)

Yeah. I take Polaroids of all the crew. It's just one of those things you do to kill time on set.

She flips through a binder until she finds his picture.

TARA (cont'd)

Right there.

Dean looks at it closely and notices something.

Dean: Son of a bitch.

INT. ST. JAMES RESIDENCE

There is a knock on the door. A man opens it to see Sam and Dean outside.

Dean: Gerard St. James?

The man, who looks exactly like Frank, nods.

GERARD

Yes.

Sam: You're still alive. And you're not Frank Jaffey.

GERARD

Uh, no.

Dean: You were Desert Soldier Number Four in Metalstorm: The Destruction of Jared-Syn?

GERARD

I was.

Dean: I knew I recognized you. I am a huge fan. I mean, your turn as a tractor crash victim in Critters 3?

GERARD

Critters 3!

Dean: Wow. Yeah.

GERARD

Well, please, come in.

They enter the house while GERARD brings them coffee. There are pictures lining the walls of GERARD, merely an actor, portraying various characters.

GERARD

Yeah, it was the producers. They brought me up for the day to play Frank.

Dean: Just to fake your death?

GERARD

Well, rumors of a haunted film set, free publicity, especially when you're making a horror movie. It's already all over the Internet.

Sam: Yeah. We know.

GERARD

These days, it's all about new media, building buzz. They say I'm the new LonelyGirl.

Dean: Who?

Sam: And the ghost Tara saw?

GERARD

Projected on a screen of diffusion.

Dean: Isn't that kind of cruel? Messing with their heads like that?

GERARD

Hey, I just play the part. I don't write the script. Speaking of, I'm playing Willy in a dinner theatre production of Salesman at Costa Mesa, all next month.

(He hands Dean a flyer)

You get a free pepper steak with the coupon.

Dean: Now, wait a second. If you're seen in public, won't that ruin the hoax?

GERARD

Oh, please. Frank and Willy? Totally different characters.

Sam: You know what? Thanks very much, Mr. St. James. It was just nagging at us. But we're very glad... you know, you're alive and well.

Dean: Absolutely.

(GERARD shakes both their hands)

Hey, I wanted to ask you... what was it like working with Richard Moll?

(to a confused Sam)

Metalstorm. He was Hurok, King of the Cyclops people.

GERARD

Gentlemen's gentleman.

Dean: Yeah?

(Chuckles, brandishing the theatre coupon)

All right. Pepper steak.

STAGE 9 MOVIE SET

The actors playing "MITCH" and "KENDRA" are filming in the abandoned house.

MITCH

When we read from that book, we must have brought them back. Back from hell.

While "KENDRA" delivers her line, Dave, the sound guy, receives a staticky feedback through his headphones, distorting the dialogue.

MITCH

It doesn't matter. We're not going anywhere until we find Wendy and her sister. Got it? Good. Now let's get busy.

McG

Cut! Very nice.

Dave

No good for sound. I'm getting some kind of feedback.

The cast and crew sigh.

SET WORKER

Another costly sound delay. All right, we're going again for sound, people!

Dave

Thank you!

On another area of set, BRAD is talking with McG and the writer, MARTY.

BRAD

No, no, look. It's a great scene, really, dynamite. But I've still got a few...not problems, just questions.

McG

(annoyed)

Like what?

BRAD

Well, for one thing, the rules aren't really landing for me. Like, the kids do this Latin chant, and that makes the ghosts show up?

McG

Yeah.

BRAD

See, but if the ghosts are in hell, how do they hear the chanting? I mean, what do they have, super-hearing? It's a logic bump. The rules don't track.

McG

Marty, you're the writer.

MARTY

What if I throw in an explainer?

BRAD

Yeah, that'd be super. Excuse me, I've gotta check some messages.

He leaves, focused on his Bluetooth.

McG

Suits.

BRAD wanders off to another area of set, alone. While looking at his Blackberry, he notices a woman behind him. She is in ghostly white make-up from head to toe, dressed in a robe. She is wearing dark lipstick and has black marks on her neck, clearly formed by ropes. She doesn't say anything, but smirks at him.

BRAD

Has McG seen this? I like the whole body paint, black-and-white thing. But gee, I don't think those neck wounds are really gonna read on camera. They need to be red. You know what I'm saying?

(calling to the other end of set)

Hey, Jay? I need to speak to make-up right away.

The woman moves closer and taps him on the shoulder. He turns back around to face her.

BRAD

Yeah?

The woman, still silent, takes off her robe in front of him. BRAD watches as she turns and walks up the stairs to the scaffolding.

BRAD

(smirking)

Be right up.

A few minutes later, the actors have resumed filming.

MITCH

When we read from that book, we must have brought them back. Back from hell.

KENDRA

But I don't understand. If they were in hell, how could they hear our chanting?

MITCH

They must have super-hearing!

Suddenly, the ceiling of the abandoned house caves in, and BRAD falls through, hanging from a noose. The actors scream and run off set. BRAD's Bluetooth falls to the floor as he hangs there, dead.

CUT TO: THE NEXT MORNING

The actors are filming once again, where they had left off the previous day. TARA's character, "WENDY", enters the abandoned house.

MITCH

Wendy?

WENDY

Oh, Mitch! God, you're alive!

MITCH

You can't get rid of me that easy.

McG

Rumble, rumble, rumble!

WENDY

Salt. Okay, we need salt. I read in that book that it keeps ghosts away.

MITCH

Kendra, Logan, you guys check the back.

Off-camera, MARTY begins whispering to the producer, JAY.

MARTY

Jay, the poor bastard killed himself. Like, for real. Shouldn't we shut it down or something?

JAY

We had a moment of silence for him at breakfast. He was just a studio guy.

McG

Shh!

WENDY

(to "MITCH")

I love you.

MITCH

I know.

He shines his flashlight directly in her face.

MITCH (cont'd) (breaking character) Sorry.

TARA

(breaking character)

Can we cut or something?

McG

Uh... yeah, cut. Cut!

Dean: (wearing a headset)

That's a cut!

He resumes eating his taquito.

McG

(approaching TARA)

Hey, what's up?

TARA

I'm sorry. I'm just a little upset.

McG

Well, with everything that's been going on around here, who can blame you?

TARA

I just can't wrap my head around the dialogue, you know? Salt? Doesn't that sound silly? I mean, why would a ghost be afraid of salt?

Dean smirks.

McG

Okay, um... Marty?

MARTY

Yo.

McG

What do you think?

MARTY

Not married to salt, what do you want? We still sticking with condiments?

McG

It just sounds different, not better. What else would a ghost be scared of?

WALTER

(standing next to Dean)

Oh, you've gotta be kidding me.

MARTY

(to JAY)

What would a ghost be scared of? Maybe shotguns.

McG

Okay, that makes even less sense than salt.

WALTER

These people are idiots.

He leaves. Sam approaches Dean.

Dean: Walter's a little testy for a P.A., huh?

Sam: How's it going in here?

Dean: It is going really good, man. Tara's really stepped up her performance. I think it's probably from all the sense memory stuff she's drawing on.

Sam: Sense memory?

Dean: Yeah.

Sam: Dean, you know when I ask how it's going in here, I'm talking about the case, right? We don't really work here. You know, I thought you hated being a P.A.

Dean: I don't know. It's not so bad. I kind of feel like part of the team, you know?

(holding out his plate)

Taquito? They're wonderful.

Sam: No. Umm.. Listen, I conned my way into the morgue.

Dean: And?

Sam: News reports were right: Brad's a doornail, no question.

Dean: (into his headset)

Copy that.

(to Sam)

I'm sorry, what?

Sam: Copy that?

Dean: What did you say?

Sam: The news reports were right. Brad's a doornail-

Dean: (into his headset)

They are aware.

Sam: Who's aware?

Dean: (to Sam)

I'm sorry, what were you saying?

Sam: Uh.. The newspaper's right: Brad's a doornail, no question about it.

Dean: I guess it's a good thing we didn't skip town.

Sam: Yeah.

Dean: Oh, come here. I want you to hear something.

(into his headset)

Copy that. On my way.

He leads Sam over to the sound guy, Dave.

Dean: Hey, Dave. Can you play him that thing you were playing me earlier?

Dave

Sure.

He hands a pair of headphones to Sam.

Sam: Thanks.

Sam listens to the audio of one of the scenes in the movie. Midway through the dialogue, the sound becomes staticky and distorted. Sam exchanges a look with Dean.

INT. BACKSTAGE - LATER

Sam: EVP.

Dean: From the night of Brad's stage dive. All of a sudden, I'm getting electromagnetic readings up the wazoo. For some reason, it's a legit haunting now.

Sam: Well, who's the ghost, Dean? What's it want?

Dean: I don't know. I think we should take a look at Brad's death scene.

Outside in the lot, Dean leads Sam to one of the trailers. Once inside, Dean pops a DVD into the television.

Sam: Hey, where'd you get this DVD?

Dean: They're called dailies. I got it from Cindy. She's kind of got this on-and-off thing going with Drew. He dubbed me an extra copy.

They watch the footage of the scene, complete with BRAD's surprise entrance.

Dean: All right, here's where the guy fell through the roof.

Sam: Right.

Dean: All right, here we go.

MITCH

(from the tape)

They must have super-hearing.

Suddenly, BRAD falls through the ceiling of the set, hanging by a noose.

Sam: Hey, wait, go back, go back.

(Dean rewinds the tape)

Right after. Right aft- yeah right. Wait. There.

Dean pauses the frame. On the screen, we see a completely different set and standing in the far corner of the set, is the ghostly white woman who led BRAD to his death.

Dean: It's like Three Men and a Baby all over again.

(Sam looks at him, confused)

Selleck, Danson, and Guttenberg. And... I don't know who played the baby.

Sam: What's your point?

Dean: There's a scene in the movie where people say that the camera caught a ghost on film. Apparently, in the background of one of the scenes, there was this boy that nobody remembers from set. Spirit photography.

Sam: (looking at the woman)

I've seen her before.

INT. STAGE 9 BEHIND THE MOVIE SET

Dean, headset in place, is sitting with Sam at a table. Sam hands him a print-out of an article.

Sam: Here. Check this out.

Dean: (into his headset)

Yeah, go for Ozzy.

(...)

No, I don't have a 20 on Tara, I think she's 10-100.

(...)

Okay, copy that.

(to Sam)

I'm sorry, what were you saying?

Sam: Elise Drummond -- starlet back in the thirties. Had an affair with a studio exec. He uses her up, fires her, leaves her destitute, so Elise hangs herself from Stage 9's rafters, right into a scene they're shooting.

Dean: Just like our man, Brad. So, what, she's got it in for the studio brass?

Sam: Possibly. I mean, it's a motive. And Brad's death matches hers exactly.

Dean: We're digging tonight, aren't we?

INT. STAGE 9 MOVIE SET - LATER

The crew is cleaning up for the day.

SET WORKER

That's a wrap, people! 6:00 AM call for crew tomorrow!

JAY

Great work, everybody! McG, you're a genius.

(He shakes McG's hand)

You're kicking ass and taking names.

McG

Night, Jay.

EXT. "HOLLYWOOD FOREVER" CEMETARY - NIGHT

Sam and Dean are walking through, shovels in hand.

Sam: Which way?

Dean: (reading a map)

Uh... over here. Hey.

Sam: Yeah?

Dean gestures to a memorial for Humpty Dumpty.

Dean: This map is totally worth the five bucks! Hey, we've gotta go check out Johnny Ramone's grave when we're done here.

Sam: You wanna dig him up, too?

Dean: Bite your tongue, heathen!

(passing another memorial)

Oh, that's cool.

Sam: You know, Dean, what I don't get is why now? I mean, after seventy-five years, Elise Drummond suddenly goes homicidal, you know? Why this movie?

Dean: Well, maybe she's mad they're making a scary ghost flick.

Sam: Come on, is it really that scary?

Dean: Here we go.

They reach Elise's headstone.

Sam: Yep. All right.

Dean: Yahtzee.

They start digging.

STAGE 9 MOVIE SET

JAY is all alone on the dark set, talking on his cell phone.

JAY

I know. No, I friggin' hate McG's dailies. I can't control the guy. I'm telling you, next one, I'm directing myself.

(...)

What, you? No, Bob. You, I love. You're a genius! You're kicking ass and taking names.

(...)

Yeah, okay. Yeah. Talk to you later, babe.

(He hangs up)

What a dick.

The lights suddenly go out on the set.

JAY

Oh, great. Hey, guys! Producer walking here, hello!

EXT. "HOLLYWOOD FOREVER" CEMETARY

The boys have finished digging and open the coffin to see Elise's corpse. They pour salt over the bones and burn them.

INT. STAGE 9 MOVIE SET

While JAY tries to get around the forest scenery in the dark, he sees a man walk by.

JAY

Hey! Hey, pal! Can you show me to the exit? I can't see a damn thing here.

(The man, turned away from JAY, doesn't move)

Hey! Hey, putz! I'm talking to you! Somebody could get hurt here.

Suddenly, the man turns around. His face has been slashed, and a section of his skull has been split open. He has blood running down his mouth. JAY screams and falls to the ground.

JAY

What the hell?

Suddenly, the fans on set turn on by themselves. The ghost flickers and vanishes. JAY tries to crawl away, but the fan drags him backwards. He gets sucked into the fan and torn apart, blood spraying everywhere.

CUT TO: "HELL HAZERS 2" MOVIE TRAILER

The preview for the film, "Hell Hazers 2" begins playing on the screen. "WENDY" enters the abandoned house, flashlight in hand.

VOICEOVER

They never forgive. They never forget.

WENDY

(in the woods)

Mitch? Ashley?

VOICEOVER

And this summer, they're coming back again to settle the score... ...again.

WENDY

You out here?

She suddenly turns and looks into the camera and screams. There is a quick montage of clips from the film.

BRODY

Ashley and Todd - they're dead! Wendy, they're dead!

New scene.

MITCH

These bastards aren't taking us. Not without a fight.

New scene.

BRODY

I am getting out of here right now!

WENDY

Brody!

Short clips from the movie play on the screen: "WENDY" reading in Latin, "KENDRA" screaming, the characters running through the woods.

VOICEOVER

From the producers of Cornfield Massacre, Monster Truck, and the director of Charlie's Angels, Charlie's Angels: Full Throttle, and Hell Hazers, comes a new experience in terror.

MITCH V.O

We must have brought them back. Back from hell. Again.

VOICEOVER

Hell Hazers 2: The Reckoning. This film is not yet rated.

INT. STAGE 9 MOVIE SET - MORNING

Sam and Dean watch as the police examine the crimescene where JAY was killed.

Sam: Run-in with a giant fan. Same thing happened to an electrician back in '66, a guy named Billy Beard.

Dean: What the hell, dude?

Sam: I don't know. Doesn't seem like Elise this time, either. It's not her M.O.

Dean: No, we already torched her. So, what, are we dealing with another ghost?

Sam: Maybe.

Dean: Yeah, but these things don't usually tag-team.

EXT. STAGE 9 MOVIE SET

Outside in the lot, McG is getting out of his car. He gathers the cast and crew, including Dean and Sam.

McG

Everybody! Gather around, okay! I've got an announcement to make.

(handing his car keys to a P.A.)

Hold that for me.

(calling out)

Everyone! Huddle in! In light of Jay's accident last night, and in cooperation with the authorities, we're shutting down production for a few days. I know, I know. Look, I'm not gonna lie to you. We've had a few setbacks this week. But we all know what Jay and Brad wanted more than anything. And that was to see Hell Hazers 2: The Reckoning on screens all across America! Now, we owe it to them to go on and to pull together and make this damn movie, huh?

There is cheers and applause from the crowd.

McG

But not today. Go home. Someone will call you.

INT. TRAILER - LATER

Sam is back inside, watching more of the dailies. "WENDY" is reading in Latin when she is interrupted by "KENDRA".

KENDRA

Wendy, don't.

WENDY

What are you, afraid of ghosts? Come on, it'll be fun.

Dean enters.

Dean: Hey.

Sam: Hey. So, you find out where the electrician's buried?

Dean: He wasn't. Billy Beard was cremated.

Sam: Great. Now what?

Dean: No idea. Anymore ghost cameos in the dailies?

Sam: Not in the first six hours. You know, maybe the spirits are trying to shut down the movie because they think it sucks. Because, I mean, it kind of does.

WENDY

Come on, it'll be fun.

She continues reading in Latin. Sam suddenly notices something and rewinds. He sits up and listens closer to the Latin.

Sam: Listen to the invocation. Dean, that's the real deal -- a necromantic summoning ritual. What the hell is that doing in a Hollywood movie?

INT. MOVIE STUDIOS

MARTY, the writer, is on the phone in his office.

MARTY

No, dude, we're down for a few days - force majeure.

(...)

Yeah. It's cool, though. Gives me time to pitch that time-travel thing.

(...)

Yeah. All right, get back to me on this, all right? Seriously.

(...)

No, I'm serious.

(...)

Dude, are you serious? 'Cause I'm serious.

(He notices Sam and Dean at the door)

All right. Cool.

(He hangs up)

Guys, we're all shut down. What are you still doing here?

Sam: Yeah, uh... sorry, man. We couldn't help ourselves. We just had to tell you that we read the script.

MARTY

And?

Sam: Yeah. Uh... it's awesome.

Dean: Awesome.

Sam: Really awesome.

MARTY

I know, it's pretty rockin', right? I'm glad you guys liked it.

Sam: Yeah, I really liked all the attention to detail.

MARTY

Dude, right on, that's my thing. Color me guilty, but that is me. I'm a total detail buff.

Sam: No, I can tell. I mean, the way you worked in all those Enochian summoning rituals and all the authentic language.

MARTY

(smile fading)

What, you mean that Latin crap? No, man, that's Walter. Walter Dixon, the original writer. You like that garbage?

Dean: Wait, "Walter the P.A." Walter?

MARTY

No, he's not a P.A. He's got a clause in his contract that allows him to come on set.

Dean: But he wrote the invocations?

MARTY

He wrote a whack-job screenplay. There's no pace, there's no love interest, it's all wackadoo exposition. I had to cut, like, ninety percent of it to make it readable, the other ten percent to make it good.

INT. STAGE 9 MOVIE SET - LATER

The brothers are reading WALTER's screenplay, Lord of the Dead.

Dean: Should've kept Walter's original script. It's actually pretty good.

Sam: Yeah. And it reads like a how-to manual of conjuration, like a textbook on how to summon ghosts and get them to do whatever you want.

Dean: Yeah, like kill people.

Sam: Yep. So, let's say somewhere down the line, Walter learned some pretty black magic.

Dean: Yeah. And let's say he's pissed at these people for wrecking his movie.

Sam: Motive and means.

Dean: It's worth checking out.

INT. STAGE 9 MOVIE SET; FOREST SCENERY

MARTY is walking among the forest scenery and spots WALTER.

MARTY

So, you wanted to meet?

(No response)

Hey, I'm a little busy here, buddy. I'm working on a script.

WALTER

Oh, yeah. You guys worked on it a lot.

MARTY

It needed work. Now, why couldn't we have done this in my office?

WALTER

You know, the history, the lore in my draft was completely accurate. We could've gotten it right for the first time ever in this whorehouse of a town. But you tore it to shreds. You replaced it with cleavage and fart jokes. It was real.

MARTY

Who gives a rat's ass about "real"? We're talking about ghosts here, Walter. There's no such thing.

WALTER

That's where you're wrong, Martin.

He raises his hand, holding a talisman, and begins chanting in Latin. MARTY rolls his eyes.

MARTY

Okay, nutjob. End of meeting.

He turns around and comes face-to-face with the Same ghost that killed JAY. Screaming, he falls to the floor and begins to get dragged towards the fans.

MARTY

Oh, God, no! Please, no!

WALTER

You ruined it, Martin! Everything I worked for!

MARTY

Oh, God! Walter!

WALTER

Now you're gonna find out what being a ghost is really like.

MARTY

Walter, please! Walter, help me!

Just as he is inches away from the fan, a shotgun goes off, blasting the ghost away. Dean approaches, weapon in hand, while Sam turns off the fan.

MARTY

You are one hell of a P.A.

Dean: Yeah, I know.

WALTER

What are you doing?

Sam: I could ask you the Same thing, Walter.

WALTER begins climbing up the stairs to the scaffolding.

Sam (cont'd)

Raising these spirits from the dead? Making them murder for you? That's playing with fire, Walter.

WALTER

You don't understand.

Sam: You know what? You're right, I don't understand.

WALTER

Just... wait, look. You put your heart and soul into something, years of hard work. It's years, and then they take it! And they crap all over it! And then they want you to smile and say, "Thank you".

Sam: Walter, listen. It's just a movie. That's it.

WALTER

(scoffs)

Look... I've got nothing against you, man. You're not part of this. Just please, please, just leave. But Martin's gotta stay.

Dean: Sorry, can't do that. It's not that we like him or anything, it's just a matter of principle.

WALTER

Then I'm sorry, too.

He raises the talisman again.

Sam: Walter. Walter, pl- don't.

WALTER begins his chanting. The set begins to shake, and three ghosts appear, including the man who murdered JAY.

Dean: Sam!

He raises his gun. The ghosts, all of whom are deformed in some way, begin walking closer.

Dean (cont'd)

Come on, come on.

Suddenly, they disappear. Then, out of nowhere, Sam is knocked to the floor - the ghosts are now invisible. Dean helps him up.

Dean: Come on, come on! Move!

The brothers and MARTY begin running away while the lights on set begin firing off. The three of them run into another building and shut the door behind them. Dean reloads his gun.

Dean quotes Bruce Willis as "John McClane" from "Die Hard", with accent and all. This includes the light shining down over his features, similar to that of the original "Die Hard" scene.

Dean: "Come out to the coast! We'll get together, have a few laughs!"

He looks angry and then he turns around and realizes they have entered the abandoned house set, and they haven't actually reached any real shelter.)

Dean: Oh, man!

MARTY

I can't believe this. Ghosts are real!

Dean: What makes you say that?

They look around, ready to fight.

MARTY

But I don't understand. How is Walter controlling them?

Sam: Probably that talisman.

Suddenly, he takes out his cell phone.

MARTY

What are you doing?

Sam: I mean, if film cameras pick these suckers up, then... maybe...

He uses his cell phone camera to scan the room. The audience watches the screen on his cell-phone, together with him. He suddenly sees one of the ghosts a few feet away, heading straight for Dean.

Sam: Dean! Right there!

Sam points and Dean shoots it. We see through Sam's cell how the ghost disappears.

Sam (cont'd)

Got him.

(He picks up another ghost)

Hey! Right there!

Dean shoots again. They then notice WALTER walking around the upper level. Sam hands his phone to MARTY.

Sam: Here, you get the idea?

MARTY

Yeah.

Sam: All right, you hold them off. I'm going after Walter.

He leaves the set.

MARTY

I cannot believe there's an afterlife.

Dean: Oh, there's an afterlife, all right. But mostly, it's a pain in the ass.

MARTY keeps scanning the room with the phone.

MARTY

There!

MARTY ducks to his left as Dean shoots.

EXT. STAGE 9

WALTER leaves the set through the back exit and comes face-to-face with Sam.

Sam: It's over, Walter. Now give it to me.

WALTER throws the talisman on the ground, shattering it.

WALTER

There, okay? Now no one can have it.

Sam: I wouldn't have done that if I were you.

WALTER

Oh, yeah?

Sam: Yeah.

WALTER

And why not?

Sam: Because you just freed them. We can't stop them now. Walter, you brought them back, forced them to murder. They're not gonna be very happy with you.

MARTY and Dean join them outside.

WALTER

Yeah? So, why not?

He suddenly falls to the ground and begins screaming in pain. Blood begins to seep through his clothing. MARTY raises the cell phone and sees all of the ghosts tearing WALTER apart.

INT. STAGE 9 MOVIE SET - A FEW DAYS LATER

The crew has resumed filming. "KENDRA" and "MITCH" are now in the abandoned house. "KENDRA" is scanning the room with her cell phone, the Same kind as Sam has.

KENDRA

Oh, God. Oh, God. There!

"MITCH" shoots. From the sidelines, McG is watching, ecstatic.

KENDRA

But I don't understand. How can the spirits appear in the camera phone?

MITCH

The video must pick up their frequencies in a way that our eyes can't.

KENDRA

Oh, God. Oh, God. Right there!

"MITCH" shoots again.

McG

Cut! Oh, print that one. That's in the movie! Loved it, kids. Loved it.

MARTY and Sam are also watching from the sidelines.

Sam: You find out there's an afterlife, and this is what you do with it?

MARTY

(grinning)

I needed a little jazz on the page.

EXT. STAGE LOT

Sam is walking among the trailers. When he passes TARA's trailer, the door opens, and Dean comes out, clearly disheveled. Dean smirks. TARA comes outside as well, wearing a robe.

TARA

You're one hell of a P.A.

Dean: Thank you.

TARA

(noticing Sam)

Hi.

Dean: God, I love this town.