Hmmm...this should be interesting!
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| 621 spoilers https://foreverdreaming.org/viewtopic.php?f=9&t=2525 |
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| Author: | hshap2 [ 04/20/03 19:39 ] |
| Post subject: | 621 spoilers |
Episode 621 - Goodbye Yellow Brick Road Quote: -------------------------------------------------------------------------------- The WB's Official Episode Description Wednesday, Apr 30 - "Goodbye, Yellow Brick Road" SECOND CHANCES - Joey (Katie Holmes) returns to Capeside to find Dawson's (James Van Der Beek) script on her doorstep and is overwhelmed that he has written a story about three friends, but Dawson's movie-making dreams are shattered when Pacey (Joshua Jackson) comes clean about losing Dawson's money. The ensuing fight opens old wounds and leaves the three friends believing their friendship will never be the same. Back in Boston, Jen (Michelle Williams) has invited her mother (guest star Mimi Rogers) from New York with the intent of telling her that she, Jack (Kerr Smith) and Grams (Mary Beth Peil) are moving to New York so Grams' can get the medical care she needs. Peter Kowalski directed the episode written by Anna Fricke. TV Guide's Episode Description Goodbye, Yellow Brick Road 60 min. Long-time friends face off and a fractured family has a chance to reunite in this revealing episode. As a guilt-ridden Pacey (Joshua Jackson) struggles to find a way to tell Dawson that his savings were lost in a bad investment deal, the enthusiastic auteur re-creates his high-school bedroom and maxes out three credit cards buying equipment for his film. When Pacey finally delivers the bad news, money matters prove to be just the tip of the iceberg between them. Meanwhile, Grams (Mary Beth Peil) receives a surprise visit from her daughter, Helen, and judging by the cool welcome Grams offers, it's obvious that Helen (Mimi Rogers) and Jen aren't the only distant mother-daughter duo in the family. -------------------------------------------------------------------------------- Episode Pictures: Joey outside of the B&B Joey reading Dawson's script (1) Joey reading Dawson's script (2) Joey reading Dawson's script (3) Joey, Dawson, and the ladder (1) Joey, Dawson, and the ladder (2) Joey, Dawson, and the ladder (3) Joey and the ladder -James Van Der Beek is (was?) scheduled make his directorial debut in this episode. -Dawson is "very much" in this episode. Other characters that can be placed, as per the white draft, include Joey, Pacey, Jen, Helen (Jen's mother), Grams, C.J.'s Uncle Bill, Jack, Audrey, and Jack Osbourne. (credit Stela at FF) -The teaser of this episode picks up where Episode 620 leaves off with Pacey at Dawson's house. Pacey just doesn't have the heart to tell him about the money. (credit Stela at FF) ***THE FOLLOWING ARE SNIPPETS FROM A SCENE BETWEEN AUDREY, JOEY, AND JACK OSBOURNE: Quote: -------------------------------------------------------------------------------- INT. JOEY & AUDREY'S DORM ROOM - DAY A GUITAR is being strummed in the background (we don't see it yet, but it's playing a lovely and mellow song that we'll hear again in act four). What we do see is JACK OSBOURNE lovingly holding up a pair of very small running shorts. Joey's side of the room is obviously in a state of disarray and packing. JACK: Does she run in these? The guitar playing stops and we see that Audrey was the player. She looks at Jack in disgust. AUDREY: I guess. Jack buries his face in the shorts. Audrey puts down the guitar and sighs with the weariness of a baby-sitter. AUDREY: Okay, gross. Can't you be normal and patronize internet porn? Must you pick through my roommate's sweats like the homeless man you pretend to be? JACK: My mom was right. This hoity toity school has make you real uptight. AUDREY: (worried) Your mom thinks I'm uptight? Before Jack can answer, Joey enters with more boxes. And Jack's still holding her shorts. She assesses the situation and snatches the shorts from him. JOEY: I might have some in your size if you want me to look in the back. JACK: No, those'll do just fine. Irked but not knowing what else to do, Joey extends her hand. JOEY: Hi, I'm Joey. They Shake. JACK: The roommate. At last we meet. JOEY: Jack, right? Can you step away from the clothes, please? Slowly. And keep your hands where I can see them. ... Audrey places her hands on Joey's shoulders, looking a little misty. AUDREY: Joey. JOEY: Audrey. AUDREY: I'm feeling a Lifetime moment coming on. JOEY: It's not like you're never going to see me again. Ha! AUDREY: No, I know. But our time together in this particular room is over. Whatever. This point is this, Joey Potter. I love you very much. Joey smiles at Audrey's sweetness. JOEY: I love you, too. AUDREY: So much in fact that I cannot leave you without a parting gift. Y'know. For those lonely summer nights. Audrey turns around to fetch said gift, clearly delighted with herself. JOEY: Audrey, you really didn't have to - - Audrey presents her with that gigantic pink fluffy thing that's always on her bed, around which she has tied a large bow. AUDREY: Isn't it the ultimate?! JOEY: You really didn't have to. Audrey, I hate this filthy eyesore. AUDREY: I know! Which is why you must carry it with you on your journeys. Because, like me, it seems harsh and overwhelming at first, but once you give in to its delicious comfort, you'll find you can't live without it. Joey examines it for a moment, trying to find the beauty. Audrey pouts at this poor reception of her gift. JOEY: You know what I've discovered in our tenure together, Audrey? AUDREY: The sobering reality that blondes really do have more fun? JOEY: No. That I really never had a girlfriend before. Not a good one. Not one like you. A moment. Audrey is touched. AUDREY: It's official. I, like the rest of the world, am totally in love with you. They hug. (credit Sunchild) -------------------------------------------------------------------------------- -Audrey is sympathetic and a good friend to Pacey. They share a scene at Hell's Kitchen. Jack Osbourne is also there. (credit hoydenish and karensisco at FF and PN) -The following is from the scene between Pacey and Audrey at Hell's Kitchen: Quote: -------------------------------------------------------------------------------- INT. HELL'S KITCHEN LATE AFTERNOON It's a slow afternoon at Hell's Kitchen and Pacey is sitting at the bar, looking a little more unkempt then the slick Pacey we've seen all season. In addition to a drink, we see that he has an application for Hell's Kitchen sitting in front of him. (Filler scene follows between Audrey and Jack O. they both see Pacey and proceed towards him.) Pacey and Audrey share lines of what they've been up to since they've been gone. Pacey talks of Audrey's rehab stint, and Audrey questions what happened to Pacey's job. Audrey makes a cute comment that she's Pacey's personal superhero. AUDREY: . What are you hiding from, Pacey? PACEY: The guy in the suit. (beat) Funny thing about the suit. It only brought bad things, but people sure crawled out of the woodwork telling me they were proud of me for wearing it. AUDREY: Well, if it helps, I hated it. (beat) Besides, they weren't proud of the job. They were proud of you. PACEY: It's not so much about the job, Audrey. I mean, after all, it was just kind of a front in the end, wasn't it? I reeled people in and let them believed in me for a second. What a colossal mistake. AUDREY: You know what? This isn't you talking. This is you're former self rearing its ugly head. What did the guy in the suit do that was so incredibly bad, Pacey? Was it really bad enough to be boozin' in the afternoon? PACEY: Pretty much, yeah. Let's just say I gave some advice and I took some money and I should never in the lifetime have been allowed to do either one. And now there's a big old mess that even the smooth talker in me can't fix. AUDREY: Well, thank god for that, right? Because that guy was full of bull. (beat) Come on Pacey. I know moments like these. One path is the harsh reality and one path is the comfortably numb. But guess what? In the morning when you're sobered up, the problem's still gonna be there, only now it will be a big, festering wound and you'll be the jerk who sat back and let it get worse. PACEY: Thanks for not walking on eggshells around me. AUDREY: I'm your personal superhero, remember? She knocks into him gently, maybe gives him a comforting squeeze on the shoulder. And we leave them there, two people who know each other pretty damn well. (credit Sunchild at PN) -------------------------------------------------------------------------------- -We find out something interesting about Grams in this episode and how Jen is dealing with it. (credit hoydenish at FF) -Grams and Jen have a garage sale. (credit Sunchild at PN) -Jen's mom (played by Mimi Rodgers instead of Mel Harris) shows up by taxi at Grams's house. She walks up to the door and rings the doorbell. Jen answers and is surprised to see her. They talk and then hug. Then Jen helps her mom bring in her luggage. (credit Sunchild at PN) -Dawson does not give Joey his script as a gift, however, he leaves the script for her at the B&B, not knowing that she's in town. He also apologizes. (credit hoydenish at FF) -Dawson and Joey have three scenes together. (credit karensisco at PN) -Dawson and Joey discuss the past and some of the issues between them. Pacey is not a topic of an issue in their conversation. Neither Dawson nor Joey knows what is about to happen concerning the money. (credit Stela at FF) -Joey spends a lot of time at Dawson's house, arranging for his movie to get made after he throws his script away and starts trashing his room. Gale (and her credit card) comes in and tells Dawson that he is fired from Leery's Fresh Fish and to go make his movie. Joey does a lot of work to make Dawson's room back to the way it was in Season One. She's not spending all of that time with Dawson while he's working at Leery's Fresh Fish, but she does spend some time there beforehand. (credit Roxy at FF) -Dawson and Pacey have two scenes together. (credit Stela at FF) -Pacey and Joey have one scene together. (credit Stela at FF) -Dawson, Pacey, and Joey are all in the same scene at one point. (credit Stela at FF) -The following is a portion of a scene between Dawson and Joey right before the Dawson/Pacey fight: Quote: -------------------------------------------------------------------------------- INT. LEERY HOUSE - FOYER - NIGHT Dawson and Joey walk down the stairs. JOEY: God, I didn't even realize how late it had gotten DAWSON: You probably never thought when you came over here that we'd spend the whole afternoon talking. JOEY: Call it a nice suprise. DAWSON: Still didn't solve my problem, though. JOEY: What's that? DAWSON: Same one I've always had. Finding someone to play you. Joey's flattered. They step out onto the porch... (credit Jenn at FF) -------------------------------------------------------------------------------- -The fight between Dawson and Pacey is in front of Dawson's house. Joey is just leaving. Pacey stops her by grabbing her arm and tells her to stay because she should see this since she's going to hear about it anyway. Dawson and Pacey rip into each other and say things that really need to be said. Joey is horrifired. Dawson runs off into his house, and Pacey goes to the dock. Joey goes after Pacey and stays with him. She makes him feel a lot better, and they talk for quite awhile. The following are a few snippets from their scene: Quote: -------------------------------------------------------------------------------- Pacey is sitting alone on the dock, where he's obviously been doing some thinking and sobering up (he's drunk, not sloppy) for a while. After a moment Joey walks down and joins him. JOEY: You okay, Pace? A moment, and he wearily replies. PACEY: You don't have to do this. JOEY: Do what? PACEY: Check up on me. I know what you want to do. Go in there, Jo. Help him lick his wounds. You don't have to sit out here watching over the lost cause. What's the point, right? Joey goes on to tell him that she wants to be there and if she wanted to be with Dawson she would have gone. We hear how they first met when they were five. It was at a butterfly garden. JOEY: If I wanted to go back in that house, Pacey, I would have done it a long time ago. Don't you know me at all by now? PACEY: I just don't want you sitting out here feeling sorry for me, Jo. JOEY: I don't feel sorry for you, Pace. I just feel for you. Can't you ever tell the difference? PACEY: I don't know. I guess I can't. We've had kind of a confusing run of it, haven't we? JOEY: No matter how much I love you, or how long I stay with you, you're only going to remember the moments when I leave. PACEY: You're gonna have to forgive me for that, because those are pretty much the toughest moments of in my life. Another piece of dialogue from the scene... PACEY: My best friend in the whole world just walked away from me, and he said things that can't ever be taken back. And the saddest part of all that, is that my best friend in the whole world basically hasn't known me for three years. So tell me, how does that make me a man with a support network? JOEY: You've got one person right here, Pace. But I know that won't ever be enough. Not until you let it. (credit Roxy at PN) -Pacey is whining about how they have "scripted parts" in this drama, and Joey basically tells him that's not true. At that moment, she's decided to wash her hands of the whole situation and go to Paris. Pacey says that she is supposed to be in there with Dawson and not out there with him. He's not talking about wanting to be with her, he's talking about how things are "supposed" to be. Joey tells him that she may not be in his life the "scripted" way, but she's in his life in her own way at the time. She's in his life on her own terms. She goes on to talk about how they are ghosts of their former selves, and like with all ghosts, they need to make peace, so they can move on. (credit Roxy at FF) -The following is from the end of the dock scene between Pacey and Joey: Quote: -------------------------------------------------------------------------------- EXT. LEERY DOCK - NIGHT PACEY: This isn't your fight, Joey. JOEY: You're right. It's not my fight. Because it was all over a long time ago. Now you just have to make it right. PACEY: You said it yourself, Jo. I can't get out of my own way. I don't know how to fix this. JOEY: Yes you do. (beat) That's the thing about ghosts, Pace. They say they don't leave until they're at peace with what they left undone. Don't you want to move on? A moment, and then Joey crouches behind Pacey and gives him a fierce hug before she walks away, leaving Pacey alone with his thoughts, looking out over the water. (credit Jenn at FF) -------------------------------------------------------------------------------- -Pacey and Joey do not discuss Eddie. His name is never even brought up. (credit Roxy at FF) -The last Pacey/Joey scene is at the beginning of Act Four. It's not the last scene of the episode with dialogue. The last scene is a montage, and the episode ends with Dawson/Pacey angst. (credit Stela at FF) -The episode ends with a montage of the characters alone: Joey alone, at home on her dock; Pacey alone, outside of Dawson's house; and finally fades out on Dawson alone, as he looks out at Pacey walking away. (credit Stela and hoydenish at FF) -D/J and P/J are both on good terms at the end of this episode. (credit hoydenish at FF) Joey tells Pacey she loves him and feels for him. I will have to see how it appears on screen. |
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| Author: | destinyros2005 [ 04/22/03 15:14 ] |
| Post subject: | 621 spoilers |
Hmmm...this should be interesting!
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