Forever Dreaming :: 1x03 - No Bris, No Shirt, No Service

Forever Dreaming https://foreverdreaming.org/

1x03 - No Bris, No Shirt, No Service https://foreverdreaming.org/viewtopic.php?f=149&t=8973	Page 1 of 1

Author:	bunniefuu [ 12/22/00 04:49 ]
Post subject:	1x03 - No Bris, No Shirt, No Service
FADE IN: EXT. LINDSAY AND MELANIE'S HOUSE - DAY Couples are arriving. We follow them up the front walk. MICHAEL [VO] About a week after their baby was born--thanks in part to the invaluable contribution of Brian Kinney--Lindsay and Melanie had a party. They invited a herd of their nearest and dearest lesbians... Smiling, Michael walks up in a suit, holding a camera. MICHAEL [VO] ...assorted relatives and us ... friends of the father, to their house. It was really nice. The smell of bread baking, and fresh flowers everywhere you look. At the door, we see Lindsay holding Gus with Melanie at her side. Michael walks up for cheek kisses. LINDSAY AND MELANIE Mikey! Making a goofy face, Michael jiggles Gus's toes, then kisses his forehead. MICHAEL [VO] Not like going to one of my friends' places with the smell of dirty laundry and stacks of porn tapes everywhere you look. MICHAEL I'm scaring him, I'm going to go inside. Melanie laughs. MELANIE Okay, we'll see you inside. Michael moves inside, pausing to look back. MICHAEL [VO] Seeing them in their beautiful home with their new baby and their arms around each other, I wished for a moment that I, too, could be a lesbian. But then I remembered I'd have to eat pussy so I said forget it. Michael shudders. Walking further into the house, he's greeted by guests who obviously know him. A MAN walks by, shaking his hand. MAN Hey, Michael. How ya doing? A large WOMAN spots him. WOMAN Michael. MICHAEL Oh, hi. She hugs him tightly. His eyes bug out, laughing when she finally releases him. He continues through the crowd, nodding to men, hugging and kissing the cheeks of women. MICHAEL [VO] Still, being there that day, I realized how different men and women are. And I don't think it has anything to do with being gay or straight. It's that, the way I see it, women know how to commit to each other, men don't. At least, not the men I know. Coming to the buffet, we see Emmett--arms raised high at spotting Michael--and Ted. Emmett kisses Michael's temple and says something quietly, Ted hugs him. Over Emmett's shoulder, we catch a glimpse of an Oriental young man watching. MICHAEL Yeah. TED Where ya been? MICHAEL [VO] But I'm jumping ahead. Let's go back an hour. Flash of light and we're suddenly rewinding out through the house, in a car going down the road, down a sidewalk, into World Gym and up the stairs. CUT TO: INT. WORLD GYM - DAY On his back, Brian is doing dumbbell flies. Michael is sitting on the bench next to him in his suit. Brian sits up. BRIAN I told you. I'm not going to the Muncher's brunch. Brian drops the weights. BRIAN And that's final. MICHAEL Look, it's not for them. It's for your son. Brian scoffs as he picks up a smaller weight and starts doing curls. BRIAN My son. He's only my son when they want my money. MICHAEL So why punish him by not going? BRIAN Look, it's not as if he's gonna know I'm not there. MICHAEL Can't be sure. I read some place-- BRIAN Where, Marvel Comics? MICHAEL That infants respond to things even when still in the womb. Brian pauses to listen, lowering the weights. MICHAEL Like, for instance, tension and discord affect them adversely, while playing Mozart and stuff like that makes them super smart. Brian laughs. BRIAN Well, how do you think listening to the sound of two dykes go down on each other for the past nine months has affected him? Christ. Brian drops the weight and walks away. Michael follows. BRIAN He'll probably grow up to be straight. MICHAEL All the more reason why he needs his dad. INT: STEAM ROOM Towel around his waist, Brian walks in. Michael is on his heels, but quickly loses Brian in the steam. MICHAEL Stop acting like a-- Where the hell are you? Like a child, and... [beat] Brian? Jesus Christ, it's like a hundred and fifty fucking degrees in here. We see Brian come around a corner, rubbing his right shoulder. He stops when he sees a seated GYM BUNNY, eyes closed. Brian starts stroking himself under his towel. Behind him, Michael finds him. MICHAEL There you are. Brian looks over at him, agitated. BRIAN What? MICHAEL Well, I was just about to say I think you should... We see Gym Bunny stroking himself. MICHAEL ...rise to the occasion. You know, be ... bigger than they are. That is if you can take your hand and your mind off your dick long enough. [re: the heat] Jesus! Michael wipes his forehead with his arm. Brian is again facing Gym Bunny. BRIAN I-I've got m-more important things to do. Now, why don't you get out of here before your mousse melts. Brian and Gym Bunny are still stroking. Michael wipes his face with his tie. MICHAEL And if anybody should ask where you are? Gym Bunny invites Brian to join him with a glance at the bench beside him. Impatient with Michael, Brian rolls his eyes. BRIAN Just tell them the usual. Brian whips his towel off and tosses it back at Michael, who catches it against his face. Brian grins. BRIAN Something came up. CUT TO: INT. LINDSAY AND MELANIE'S HOUSE - DAY We follow Melanie among the guests as she takes video of the party. MELANIE Smile! Oh, that's so beautiful. Swinging down to the couch, we see Lindsay who's holding Gus, sitting next to AUNT SHIRLEY on one side and a YOUNG WOMAN on the other. MELANIE Aunt Shirley, say something. Come on, I can't believe you're at a loss for words. Cut to the video camera's POV. At the top of the screen: three of four bars of battery life / 317 min / REC 0:11:28 AUNT SHIRLEY I'm thrilled for you both. And such a lucky boy to have two mothers. What's he need a father for, anyway? Your Uncle Ben was a lousy father. Never had any time for the family, always chasing women. You're better off being lesbians because ... well, take it from me, a stiff prick knows no conscience. Melanie and Lindsay laugh. Young Woman rolls her eyes. MELANIE Oh god. INT. BUFFET TABLE Michael, Emmett and Ted standing at the table, eating. The Oriental boy from earlier, KATSUO, is still at Emmett's side. EMMETT Isn't he gorgeous? His name's Katsuo. Katsuo holds up a glass of juice. KATSUO Jews? EMMETT No, no. No. Points at the guests. EMMETT Jews. Points at the glass. EMMETT Juice. Okay. [to Michael] He gives Pacific Rim a whole new meaning. MICHAEL Where'd ya find him? EMMETT He found me. I was having drinks in the Lizard Lounge and he comes over, starts chattering away. Only, he doesn't speak any English and the only Japanese I know is Sony and Toyota. MICHAEL So, how do you communicate with him? EMMETT There's other ways than talking. TED We all know it's not polite to talk with your mouth full. Emmett grins. EMMETT Hmm. Katsuo taps Emmett on the shoulder and speaks some agitated Japanese. EMMETT It's called corned beef, sweetie. It's a Jewish delicacy. Okay. MICHAEL So what do you suppose he's actually saying? EMMETT What's it matter? We're in love, love, love. Emmett kisses Katsuo, who just looks lost. EMMETT I'm gonna wash my hands. Emmett leaves, leaving Katsuo with Michael and Ted. Voice rising, Katsuo again speaks. KATSUO Kane. Kane. They have no idea. TED Yeah, okay, all right. Let's go ask Melanie. She's fluent in sushi. Ted and Michael lead the way, Ted gesturing for Katsuo to follow. TED Come, come, come, come. INT. LIVING ROOM Chuckling, Melanie is filming Young Woman posing. MELANIE Okay, have a bagel. Ted taps her shoulder and we get the video camera's POV. TED Hi, Mel. He holds both hands up, grinning. TED Okay, cut! Great. Back to regular POV. TED Look, we need you to translate. [loud and slow to Katsuo] Talk to Mel-an-ie. Melanie speak all axis powers. Ted walks away. Katsuo talks to Melanie as we see her look surprised, then suppress a smile. MICHAEL He keeps saying kane. Melanie pulls Michael away. MELANIE Yeah. Kane means money. He's saying he expects Emmett to pay him. MICHAEL For what? MELANIE He's a goddamn male prostitute. They both laugh. MICHAEL Oh, shit! Emmett returns and goes over to Katsuo, who immediately demands his money again. EMMETT Kane. Kane. Sweetie. MICHAEL Melanie says ... kane means ... love. He says he loves your voice. It's like a silent windchime and that your smile is like cherry blossoms floating on a still breeze. Katsuo watches the exchange, hopeful. Emmett takes his hand. EMMETT That-that is ... that is the most beautiful thing that anyone has ever said to me. Lindsay walks in holding Gus, Melanie behind her. MICHAEL Oh, here he is. Can I hold him? LINDSAY It's almost time for the ceremony. Where's Brian? MICHAEL He couldn't make it. He said to tell you that, uh-- MELANIE Something came up. I can guess what. An older man, RABBI PROTESH, joins them. RABBI PROTESH Shall we begin? LINDSAY This is Rabbi Protesh. He'll be doing the bris. EMMETT Oh, I love pot roast. TED That's brisket. I believe, in the Jewish faith, a bris is a circumcision ceremony. RABBI PROTESH That's correct. First I give the boy child a little wine. Then I say a prayer or two. Then I take my scalpel and I remove his foreskin. Emmett faints. CUT TO: EXT. A HOUSE - DAY A toy boat cruising in a pool. Pull back to see Justin and Daphne sitting on a diving board. Justin, pants rolled up, has his feet in the water. Daphne, legs crossed, is holding the boat remote control. JUSTIN He said that's all I was to him. Just a fuck. DAPHNE That's a shitty thing to say. JUSTIN And that he doesn't want to see me anymore. Daphne sets down the remote control. Justin takes a puff of his cigarette. DAPHNE When my last boyfriend dumped me, I didn't hang around feeling sorry for myself. I went out and got a new one. JUSTIN When did you have a boyfriend? Third grade? He hands her his cigarette. DAPHNE Last summer. JUSTIN You never told me. DAPHNE 'I'm telling you now.' You should have seen how jealous he got. You can do the same thing. Show that Brian. Go back down there tonight. Pick up some hot hunky guy. You're not exactly a troll, you know. JUSTIN Would you come with me? Daphne makes a face and laughs. DAPHNE What if some lesbo tries to pick me up? I wouldn't know what to do. Although I like Melissa Etheridge a lot. Think that means anything? They laugh. JUSTIN Maybe. DAPHNE Jesus! Daphne pushes Justin into the pool. CUT TO: INT. LINDSAY AND MELANIE'S HOUSE - DAY Looking up at the camera, we see a crowd has gathered around Emmett. MICHAEL What if he had a heart attack? I mean, I read some place that sometimes people have weak hearts and they don't know that-- TED He just fainted. An old man, ARNOLD, pushes his way through the crowd. ARNOLD Let me through! I'm-I'm a doctor. His wife, ESTELLE, appears at his side. ESTELLE What do you know about fainting? You're a retired podiatrist. ARNOLD What, you don't think anyone ever fainted in my office? ESTELLE From a corn? ARNOLD Stand back. Give him some room. We switch angles and see Emmett laid out on a chair, out cold. ARNOLD Does anybody got any, uh, smelling salts? TED How 'bout poppers? LINDSAY What about horseradish? We have some for the gefilte fish. ARNOLD It's worth a shot. Lindsay retrieves it and a second later, Arnold is holding it under Emmett's nose. Emmett loudly gasps and looks around. The crowd gasps with him and leans back. EMMETT What happened? TED [whispers] You fainted. ARNOLD [OS] Estelle, get some ice. Put it on his forehead. ESTELLE [OS] Yeah, yeah, yeah. Rabbi Protesh elbows his way to Lindsay. RABBI PROTESH I don't mean to hurry things along, but ... I'm doing twins at three. The crowd disperses, leaving Katsuo crouched at Emmett's side. EMMETT [to the air] No, I'll be fine. Really. Grinning, Katsuo says something in Japanese. CUT TO: INT. WORLD GYM - DAY Locker room. We follow the camera around some buff guys and over an aisle to Brian's locker where he's buttoning his shirt. Gym Bunny, ready to leave, walks over and pushes a paper into Brian's pants pocket. GYM BUNNY Hey. Call me sometime, huh? BRIAN [flatly] Sure ... buddy. A cell phone rings. Brian picks it up out of his locker. He looks at the caller I.D. before looking amused and answering. BRIAN [drawls] How's the party? SPLIT SCREEN: Brian at the gym. Michael at the bris. MICHAEL [urgent] You better get your ass over here fast. BRIAN Why? With all those bull dykes around, is there a shortage of bottoms? MICHAEL No. I--remember Lindsay and Melanie's invitation, the part that was in Hebrew? I just found out what that means. CUT TO: INT. LINDSAY AND MELANIE'S HOUSE - DAY Close-up on a naked Gus in Melanie's arms. As we pull back, we see Lindsay, seated, at her side and everyone else gathered around. RABBI PROTESH In every Jewish boy's life, there are three steps to becoming a man. First, his bris. Then his Bar Mitzvah, and finally, his marriage. We see Katsuo slouched in a chair, playing a video game. Off to the side, Michael and Ted are all but holding up an ill-looking Emmett between them. RABBI PROTESH [VO] For thirty-five hundred years, the circumcision ritual has been the fundamental sign of the covenant between God and Israel. Back to the Rabbi and Melanie. RABBI PROTESH Melanie, will you please place your son on his mother's lap? Melanie does. Gus coos and wiggles. Several guests take photos. The Rabbi picks up his scalpel from a layout of instruments. He flips it open. Quick rush-shot to a queasy Emmett. EMMETT Oh my god. He's really going to do it. Okay, I-I can't, uh-- Emmett looks away. MICHAEL Where's Brian? TED Looking after the only dick that matters. His own. Shot of Melanie and Lindsay sharing a moment as the Rabbi leans over Gus. BRIAN [OS] Excuse me, Rabbi? Rabbi Protesh looks over. Melanie and Lindsay's heads pop up. BRIAN [OS] You two. We see Brian standing among the crowd, looking pissed. BRIAN In the kitchen ... now! INT. KITCHEN Brian storms into the kitchen, Melanie livid on his heels. Lindsay lingers at the doorway before joining them. MELANIE What the hell do you think you're doing? Barging in here, interrupting a religious ceremony? BRIAN You should have asked my permission first. MELANIE For what?! BRIAN To circumcise my son. MELANIE We don't have to ask for permission. We're the parents. BRIAN And I'm the biological father, and that gives me more rights than you. MELANIE I see someone's been studying his law. LINDSAY [to both] Look, this is no time to be having this conversation with a house full of guests. MELANIE [to Brian] Yeah, and since when did you start caring about your son? Considering you haven't been to see him once since he was born. BRIAN Well, I'm not exactly welcome! MELANIE Oh, bullshit! You've been too busy fucking everything that moves! LINDSAY Can we please stop this? [to Brian] Why does it matter to you if Gus is circumcised? BRIAN It matters that he's been in this world less than a week and already there are people who won't accept him for the way he is. Who would even mutilate him rather than let him be the way he is. The way he was born. [beat] Well, I'm not going to let that happen. Tense silence. RABBI PROTESH [OS] Excuse me? They turn to see Rabbi Protesh's head poked in the doorway. RABBI PROTESH Uh, shall we proceed? Brian looks to Lindsay. Lindsay looks to Melanie. CUT TO: INT. LIBERTY AVENUE DINER - NIGHT Close-up of a DJ sound system until we follow a waitress over to a booth. Emmett, Katsuo and Brian sit on one side, Michael and Ted on the other. EMMETT [to Brian] You really showed those dykes who's got the low hangers. MICHAEL And for once, it was us. Drinking water, Ted makes a sound of agreement. Deb rushes by, delivering an order to another table. Brian twists around. BRIAN Deb, can we get some service? DEB Keep your pants on. At least until you've had dinner. Brian turns back around. Ted is looking at the menu. TED I've always said there's only two reasons to be friends with lesbians. They'll never try to convince you that the only reason you're gay is that you haven't met the right woman. And, uh, they know how to change a flat. Everyone but Katsuo laughs. BRIAN It wasn't about them. [beat] It was about my son. If I don't look out for him, who will? MICHAEL Wow. If you're not careful, you might turn out to be an all right dad in spite of yourself. Michael lifts his water glass. MICHAEL To Brian. Everyone but Brian raises their own water glass and toasts. TED AND EMMETT To Brian. Out of breath, Deb rushes over, ordering pad out. DEB Okay, boys, what'll it be? EMMETT Nothing for me, thanks. DEB Em, hon, you should try to eat some of your protein off a plate. Everyone laughs. EMMETT I read that, that for every thirty pounds you lose, you gain an entire inch of cock. DEB So, if you just drop another ninety pounds, you'll have a four inch pecker. Everyone laughs. Deb air-kisses at Emmett. DEB What about the rest of you boys? They talk over each other. Brian makes a lazy 'nothing' gesture. MICHAEL Nothing for me, I'm going right to the gym. BRIAN [to Michael] For the ? TED Yeah, y'know, I think I'll pass. KATSUO Cheeseburger, french fry, chocolate shake, apple pie. Everyone is stunned. CUT TO: EXT. LIBERTY AVENUE - NIGHT Shots of the night life. We cut to Brian, Emmett and Katsuo walking down the sidewalk, Ted and Michael behind them. TED [to Michael] I just know it tastes good. That's all I care about. Michael laughs just as a young guy, BLAKE, coming from the opposite direction runs into Ted's arm. Ted looks over his shoulder, still walking. Blake has stopped to stare. TED Oh. Sorry. BLAKE It's okay. MICHAEL Hey, I know that guy. He works out at our gym. Uhhhh ... Blake! I think he likes you. Michael looks behind them. TED Oh, yeah, how can you tell? MICHAEL 'Cause he's looking back. Shot of Blake watching them. TED [OS] Probably just stretching his neck. We follow Ted and Michael. MICHAEL Will you listen to you? TED What? MICHAEL Always putting yourself down. TED Well, better me than them. I'm gentler. MICHAEL Doesn't sound like it. [beat] You know, it is possible that someone could actually like you, you know. They cross the street. TED Yeah, it's possible, however, I'm sure a statistical analysis would reveal that the probability of a guy named Blake, who looks like that, actually liking a guy named Ted, who looks like me, to be in the point zero five percentile. In other words, practically zip. Anyway, I'm sure Brian's more his type. MICHAEL How do you know that? TED 'Cause Brian's everybody's type. That's the reason why he's had everybody. MICHAEL Well-- TED I know, I know. Except for you. Which is kinda weird when you think about it. MICHAEL Weird? He's my best friend. TED So? MICHAEL So, everybody knows you don't have sex with your friends. TED Oh, riiiiight. Yeah. Sex is something you only have with complete strangers. Yeah. People you'll never see again unless you just bump into them on the street. But never with someone you might actually give a shit about. Awkward silence. Ted covers by smiling. TED Who made up these crazy rules anyway, huh? MICHAEL [relieved] Beats me. Let's go have a drink. TED Yeah. Or two or three. Arms around each other, they cross the street toward Woody's. MICHAEL Yeah. A drag queen walks by. Michael nods at him. MICHAEL Hey. We follow the drag queen back across the street until we're dropped off at Justin and Daphne walking down the sidewalk. Daphne's jaw drops as the drag queen goes by and she points. DAPHNE Oh my god! Look at that! Is it a girl or a boy? Laughing and embarrassed, Justin pushes her hand down. JUSTIN Jesus! Don't point. No matter what you see. Guys kissing guys. Girls kissing girls. DAPHNE Well, what if I see a guy and a girl kissing, huh? That would be something different down here. And stop acting like you're so experienced. Justin snorts. JUSTIN More than you. They cross the street to Woody's as we stay on the sidewalk. JUSTIN Don't forget what I said. DAPHNE If I see him, pretend I didn't. JUSTIN Don't even look. That is, if he's there, which he's probably not. But if he is, don't look. CUT TO: INT. LINDSAY AND MELANIE'S HOUSE - NIGHT Lindsay and Melanie walk into the kitchen, carrying serving platters of leftovers. LINDSAY Should I freeze this or toss it? Melanie slams her platter down on the counter and walks away. LINDSAY I'd rather not have it around while I'm trying to get back into shape. Lindsay rubs her head, then follows. LINDSAY So, how long is this going to go on? Or do you plan never to speak to me ever again? Melanie at the buffet table. She slams down the dishes she was picking up. MELANIE What would you like me to say? LINDSAY Anything. MELANIE All right, how about 'I have a house full of uneaten cold cuts and an uncircumcised son.' How's that? Melanie stalks back into the kitchen. Lindsay drinks something leftover in a wine glass, makes a face. LINDSAY Oh. She joins Melanie. LINDSAY Look. Brian's going to take out the insurance policy. At least he's agreed to do that. That's something, isn't it? MELANIE Oh, my consolation prize! LINDSAY It was important enough to you last week. Melanie starts slamming around in drawers and cupboards, hunting. MELANIE So was this afternoon. But now I have been humiliated in front of our friends, my relatives, Rabbi Protesh. Where's the goddamn plastic wrap? Lindsay hands it to her. MELANIE And you let him do it. LINDSAY Me? MELANIE You're the one who decided to call off the bris. Of course, I know it's not very important to you or Brian, but it happens to be a very important ritual in my family. LINDSAY You know, there are a lot of men who think circumcision is a cruel and barbaric practice? MELANIE I don't care what men think about their dicks! I care that you put Brian before me. But, you know, why should I be surprised. You always have. LINDSAY Oh, for Christ sake, are we really gonna go through this again? I don't wanna have this conversation. MELANIE Yeah, and I didn't want Brian be the baby's father in the first place. But, no, you had to have it your way. It had to be Brian or no one. So now he's a part of our lives forever. Whether we like it or not. CUT TO: INT. WOODY'S - NIGHT Brian is playing pool, leaning over for a shot. A HOTTIE walks by, trailing his hand over Brian's lower back. Turning to look, Brian is interested. BRIAN Oh-kay. Well, I know what I'm doing tonight. Brian walks further down the pool table and we see Emmett, Michael and Ted holding up the wall. Michael has a pool cue. BRIAN What about the rest of you? INT. OTHER SIDE OF WOODY'S Vic is carrying two beers over to a bar-table where Deb sits. INT. POOL TABLE Michael spots Vic and Deb. MICHAEL Ah, shit! EMMETT What, honey? Katsuo, pressed against Emmett, eats the olive out of Emmett's drink. MICHAEL My mom's here with my Uncle Vic. She didn't tell me she was going to come here. BRIAN Hey, not every boy's lucky enough to have a mother who's equally at home in the kitchen as she is in a gay bar. Now you behave yourself. Brian goes to claim Hottie at the bar. TED As usual, Brian gets all the beauties while we get to watch. EMMETT He hasn't gotten him yet. MICHAEL He will. He's got the walk. He's got the talk. He's got the tattoo. EMMETT Brian's got a ta ... where's Brian got a tattoo? TED In a place you'll never see. Walking around the table for his shot, Michael's eyes go from Vic and Deb over to the door where he sees Justin and Daphne arrive. MICHAEL Double shit! TED What now? MICHAEL It's him! Our teen stalker. Christ, why won't he just go away? INT. DEB'S TABLE Justin walks up, Daphne behind him. JUSTIN Remember me? DEB Turn around. Looking unsure, Justin does. DEB I never forget a butt. She lifts the back of his shirt to see. DEB Especially a cute one. She and Vic laugh. Justin turns back around. DEB Met you in the diner with Michael last week. JUSTIN Yeah. I'm Justin. This is Daphne. DAPHNE Hi. DEB Hi, Daphne. INT. POOL TABLE MICHAEL What's he doing? TED Talking to your mom. MICHAEL What?! INT. DEB'S TABLE Deb spots Michael across the room, waving and pointing to herself to get his attention. DEB Whoo! JUSTIN You know, I'm actually looking for a friend of Michael's. His name's Brian. VIC [sotto voce] Coulda guessed that. DEB Honey, everybody's looking for Brian. JUSTIN Have you seen him? Deb points. We see Brian still stalking Hottie at the bar. DAPHNE That's Brian? God, he's so old! And skinny. You could do way better than that. JUSTIN Would you shut up? Deb and Vic are watching Brian, who's toasting Hottie. DEB Five bucks he nails him before midnight? VIC You're on. INT. THE BAR Michael walks up to Brian. MICHAEL I am not babysitting him again. This time he's all yours. Brian turns his head to Michael. Over his shoulder, we see Hottie straighten up from the bar. BRIAN What? MICHAEL He's over there talking to my mother, the little prick. BRIAN Leave him alone. He's all right. MICHAEL Excuse me? The noise is so loud in here I thought I heard you say he's all right. Hottie walks away unnoticed. Brian's attention is on Justin in the distance. BRIAN In fact ... he's kinda sweet. MICHAEL Sweet?! I thought we got rid of him. I thought he was out of our lives. Grinning and shaking his head, Brian clasps Michael on the shoulder. He turns to look back over his shoulder at Hottie and finds him gone. His face falls. BRIAN Where'd he go? MICHAEL Who?! BRIAN Who do you think? Shit. He's gone. And this is all your fault. You made me look away. Fuck you, Michael. Brian stalks away. Michael starts to follow, stopping when Deb walks up. DEB What's eating him? Or isn't? She laughs. MICHAEL None of your business. DEB You watch your mouth. MICHAEL Why do you have to come here? DEB Well, Vic was feeling better, so we thought we'd come after my shift and have a drink. What's the big deal? MICHAEL The big deal is I came here to hang out with my friends, not my mother. DEB Sweetie, you know I approve of your lifestyle. MICHAEL Maybe I don't want you to approve. Maybe I want you to go home and cry. He walks away. CUT TO: EXT. WOODY'S - NIGHT Brian coming down the stairs to the sidewalk, looking for Hottie. He jogs out into the street into oncoming traffic. When one car brakes and honks, he purposely walks slowly out of the way. On the opposite sidewalk, he looks around and doesn't see Hottie. BRIAN [to himself] Fuck me. A GUY walks by. GUY Love to! EXT. FRONT OF WOODY'S Michael comes down the stairs, looking for Brian. TRACY [OS] Well, can't we do something else? Mike! Michael turns and we see Tracy with two girlfriends standing on the sidewalk. Michael's stunned. MICHAEL Tracy! Grinning, she walks over. TRACY It is you. Isn't this wild? MICHAEL Yeah, really wild. TRACY Oh, my friends and I, we thought we'd have a little adventure. Michael leans around her to wave at the friends. MICHAEL Hey. TRACY I mean, you always hear about this place, but who ever comes here? MICHAEL Not me. He laughs. Beat. MICHAEL Until tonight. I mean, I'm-I'm here with a friend. You know, gay friend. You know, just a friend. Since high school, actually. We have this, kind of, foreign exchange program. You know, I take him to football games and beer busts, and he takes me to the opera and wine tasting. You know. TRACY So, why don't we all go for a drink? Safety in numbers. MICHAEL I, uh ... I'm a little beat. I was on my way home. TRACY Oh, well. Sounds like a good idea. You know, stick around here too long, you might wind up switching teams. Michael laughs. Brian appears. BRIAN I lost him. Fuck! MICHAEL This is my friend. Brian. Brian, this is Tracy. Brian shakes her hand. Michael gives Brian a hard look. MICHAEL Uh, you know ... from the store. BRIAN Tracy. Of course. From the store. He talks about you all the time. TRACY He does? BRIAN I mean all the time. Michael 'I'm going to kill you later' laughs. He grabs Brian's arm and pulls them backwards. MICHAEL Okay. Time to go. BRIAN What's the rush? She's even prettier than you said ... Mike. Tracy grins. BRIAN You know, he'd never tell you this himself. He's far too shy. He likes you. A lot. MICHAEL Well, uh ... I think it's time we took off. Again Michael walks backwards. MICHAEL Uh, bye, Tracy. I'll see you Monday. Brian finger waves bye. Giddy, Tracy rejoins her friends. TRACY Yeah, I'll see you Monday. EXT. SIDEWALK Brian at his side, Michael explodes soon as he turns away from Tracy. MICHAEL What the fuck did you do that for? You practically got us engaged. BRIAN Well, I wanna dance with the bride at her wedding. He smacks Michael's ass, laughing. BRIAN And Tracy, too. Michael winces and shakes his head. MICHAEL Shit. CUT TO: INT. WOODY'S - NIGHT Justin and Daphne standing at Deb and Vic's table. JUSTIN By the way, where'd Michael go? DEB What time is it? She looks at her watch. DEB Eleven o'clock? VIC Time for Babylon. Night's just starting. JUSTIN Well, that's just where we're going. VIC You've been there before? JUSTIN Sure. A lot. VIC Really? I didn't know they had kiddie memberships. JUSTIN You have to be a member? DEB Can't get in without a card. VIC [OS] Here. Vic in his wallet, pulling out a card. VIC You can have mine. I'm through with it. He hands it to Justin, who grins. DEB He's paid his dues. JUSTIN Thanks! CUT TO: EXT. BABYLON - NIGHT Justin and Daphne at the head of a long line waiting to get inside. A BOUNCER stands in the doorway. BOUNCER I.D.? Justin digs in his right pants pocket and hands it over. JUSTIN Right here. BOUNCER Born 1952? You look damn good for your age, Vic. INT. BABYLON Theme: Cowboys and Cops and Sailors Shot of a muscled cowboy dancing. We follow Justin and Daphne, holding hands, through dark halls and a chain curtain that leads to the crowded dance floor. They take it all in. Daphne is grinning and swaying to the beat. Justin looks unsure. JUSTIN You wanna go? Daphne flashes him an 'are you crazy?' look. DAPHNE What for? She smiles, looking back out at the dance floor. DAPHNE We just got here. Justin bites the corner of his bottom lip for a second, then leads them into the middle of the crowd. JUSTIN All right. Come on. INT. BATHROOM Michael behind him, Brian goes from stall to stall, trying to find an open one. All three are locked with couples making out inside. With a frustrated sound, he leans against the middle one and wrings his hands. MICHAEL What would you do if you actually had to go? Brian directs his answer to the couple in the stall behind him. BRIAN Find a scat queen? Sound of a door unlocking. A beat later, a guy comes out of the stall next to them. MICHAEL Gross. Brian taps Michael's chest for him to go inside, following. He pauses at the stall door to call out to the guy. BRIAN Didn't your ma ever teach you to wash your hands? He slams the stall door closed. ON THE DOOR: [big] NO SEX IN BATHROOMS [smaller] THAT'S WHAT THE COUCHES ARE FOR INT. BATHROOM STALL Brian and Michael standing face-to-face. Brian readies a bump of 'trail mix' (usually a mix of Ecstasy and Viagra) in a blue vial, then inhales it. After readying another, he holds it up for Michael. BRIAN Careful. It's strong. Michael inhales. He grins. MICHAEL Nice. They lean their foreheads together, riding the high. BRIAN I got it from Tommy Hagger. MICHAEL He can get anything. He got me that Superman episode with George Reeves. The only one ever shot in color. So ancient, you could even see the strings. Oh, did I tell you what I got on eBay? A vintage Mego Linda Carter Wonder Woman doll. Mint, in box. Cost me an entire week's salary, but it was so worth it. They laugh. BRIAN Mikey, you are so pathetic. Michael strokes Brian's bare arm. MICHAEL I also got that photo. The one of Patrick Swayze with his shirt off. BRIAN Really? It must be all yellow by now. Come stains all over it. MICHAEL He's still beautiful. BRIAN We owe it all to him. [beat] We should write him a fan letter. Michael laughs. MICHAEL I did. Brian pulls back, shocked/impressed. BRIAN No. Really? When? Michael is nodding. We hear couples having sex in the background. MICHAEL I--a long time ago. He laughs. BRIAN What did you say? MICHAEL I don't remember. 'My friend and I think you're so hot!' He never wrote back. Brian laughs. He leans their foreheads together again. They close their eyes. BRIAN Fuck him. You still got me. Michael opens his eyes, looking at Brian, before closing them again. They rest together for several beats. Michael squeezes Brian's bicep, then smoothes his palm downward. Close-up on Michael slowly leaning in toward Brian's parted lips. As the kiss lands, Michael slides his hand between Brian's legs. Muffled laughter from Brian, becoming audible as he disengages by simultaneously pulling Michael's hand away and pushing his jaw back from the kiss. Brian stares at a clearly affected Michael. BRIAN What are you doing? Michael laughs to cover. MICHAEL Nothing. It must be the trail mix. Pressing a finger to his lips, Brian is quiet. BRIAN Yeah. Must be. Slaps Michael's shoulder lightly. BRIAN Come on. Let's go back. He leaves our view. Michael remains, watching Brian. INT. DANCE FLOOR Emmett looking around the crowd. Justin and Daphne walk by and we follow them. Justin points. JUSTIN Come on, let's go to the stairs, over there. They swing to the left and we swing to the right in time to Brian and Michael come out of the bathroom. BRIAN Let's check out the bar. Maybe that guy you made me lose is there. Michael laughs. MICHAEL I didn't make you lose him. Swish-turn of the camera and Emmett has joined them. He and Michael talk while Brian scans the crowd. EMMETT Time to organize a search party. MICHAEL Who's missing? EMMETT Katsuo. I was talking to Dungeon Master Don--who wants to mummify me, have you noticed that the world's getting weirder? Anyway, I turned around and he was gone. MICHAEL I have a feeling he'll be all right. EMMETT He doesn't speak a word of English. And-and he's so sweet, so ... innocent. What if some cock hungry queen tries to have his way with him? BRIAN I thought you already did. Emmett glares. MICHAEL He's around somewhere. I'm sure you'll find him. EMMETT [sarcastic] Thanks. Emmett walks off. Brian watches him go. When he turns back around, he spots Hottie dancing. Hottie grins at him and keeps dancing. Brian smirks. BRIAN Target sighted. All systems go. See ya later, Mikey. He walks off, leaving Michael smiling. INT. THE BAR Ted is leaning back against the bar, drink in hand. He calls out to Guy #1 walking by. TED Hey, how you doing? Guy #1 keeps walking. TED Good, glad to hear it. Guy #2 walks by. TED Hey, how's it going? Guy #2 keeps walking. TED Ah, no complaints, thanks. He leans forward to jokingly call after the guy. TED Hey, hey, can I buy you a drink? Michael bounces up and answers him. MICHAEL Yeah, I'll take a beer. Hopeful for a second, Ted turns. TED Oh, it's you. Michael laughs. MICHAEL Oh, fuck you! They turn toward the bar. As Ted watches, Michael rubs his face, then grins. TED What are you on? MICHAEL Nothing. Beat. He leans to Ted's ear. MICHAEL A little of Brian's mix. Ted rolls his eyes, looking disappointed. Michael looks around them. MICHAEL Any luck? TED Oh, I'm heading for an all-time season record. Eight straight--actually, make that not-so-straight, no-hitters. Ted is looking down the bar. Michael follows his gaze and sees Blake, who winks. MICHAEL Blake just winked at you. TED He's got some crystal meth in his eye. Blake leans further on the bar and winks again. MICHAEL [OS] He did it again! Michael grins at Ted. MICHAEL I told you. He likes you. Why don't you just go over and ask him to dance? TED 'Cause he'll just say 'Come back when you get a hair transplant and some liposuction.' Michael laughs and puts his arm around Ted. MICHAEL You do not need a hair transplant and liposuction. Besides, nobody would be that cruel to you. Except maybe yourself. Ted finishes his beer. TED Yeah, well, I'm gonna take off. MICHAEL Come on. It's too early. TED Yeah, or too late, depending which side of the dance floor you happen to be standing on. MICHAEL Well, maybe you should try going after, you know, someone ... well, like-like you. Not someone... TED Young and cute? Thanks. Ted moves to leave. Michael stops him. MICHAEL That's not how I meant it. Hell, I should talk. I can't get anybody interested in me, either. TED Yeah, but you could if you wanted. [pause] You're worth so much more than you know, Michael. Ted leaves. MICHAEL I'll call you tomorrow! INT. DANCE FLOOR Brian appears, looking around the last place he saw Hottie. INT. STAIRCASE Justin points Brian out to Daphne. JUSTIN Look. There he is. There's Brian. INT. DANCE FLOOR Brian and no Hottie to be found. BRIAN Shit! CUT TO: EXT. BABYLON - NIGHT Ted walks out of Babylon and down the alley. BLAKE [OS] Didn't want to dance? Ted turns and sees a smiling Blake. TED Oh, uh ... yeah, I'm not much of a dancer. Although I-I enjoy dancing. I-I-I didn't realize you were asking, uh... BLAKE Taking off? TED Yeah. Yeah, you know, sometimes it just, uh ... it, uh, it gets a little ... too, uh... BLAKE Intense? Ted nods. TED Intense. That's, uh ... that's a good word. BLAKE Yeah, I know what you mean. Sometimes it gets a little too intense in there for me, too. Nodding, Ted turns and walks away. Blake takes a step after him. BLAKE You going home? Ted pauses and nods and then resumes walking. BLAKE Do you want some company? Ted stops and turns. TED Well, you know, it's-it's ... it's a little late. And, uh... [long pause] Sure. BLAKE Are you sure? TED Sure. I ... I-if you're sure. Blake laughs. BLAKE I'm sure. Ted babbles a little, then sniffs. TED Well, then. They laugh. CUT TO: INT. BABYLON - NIGHT Emmett on the dance floor, scanning the crowd for Katsuo. He finally spots him at the bar with a white-haired business man kissing his neck. Emmett stalks over. EMMETT What is the meaning of this? Katsuo pushes Business Man aside and shakes a $20 bill at Emmett. KATSUO Kane. Kane, kane, kane! Emmett is crushed. Katsuo pulls Business Man back to him, kissing the money and then Business Man. Emmett turns his face away. CUT TO: INT. LINDSAY AND MELANIE'S HOUSE - DAY Phone ringing. Bedside light flicks on and Melanie picks the phone up. MELANIE Hello? SPLIT SCREEN SHOT: Melanie in bed. Emmett on the dance floor and pissed off. EMMETT How do you say 'tacky little cock-sucker' in Japanese? MELANIE Do you know what time it is? Melanie hangs up. The shot expands to just their bedroom as she rolls over. Lindsay is standing by the bed, comforting Gus in her arms. LINDSAY It's okay, sweetie. [to Melanie] Who was that? Melanie sits up. MELANIE Emmett. I think he just found out what kane means. I'm sorry it woke you and the baby. I know you need your rest. LINDSAY I was up anyway. MELANIE You were? So was I. Just thinking about all the terrible things I said. LINDSAY No, I should have stood up to him. I should have. MELANIE No. I mean, it was best to be practical. I mean, this way Gus... Shuddering breath. MELANIE ..how am I ever gonna get used to that name? May keep his foreskin but still be provided for. Lindsay and Gus sit on the bed. Melanie scoots to hold them from behind. LINDSAY Look, it doesn't matter who's right. We can't allow Brian to come between us, as much as he'd like to. MELANIE And you know he would. LINDSAY Even if he is the father, we're still the parents. You and me. Gus belongs to us. And that's why we had him. MELANIE Well, you had him. Aside from saying 'push' and 'breathe' I really didn't have that much to do with it. LINDSAY You had everything to do with it. I never would have had him without you. They kiss. Lindsay strokes Melanie's cheek. LINDSAY Just remember that ... next time you're wondering who comes first. CUT TO: INT. BABYLON - NIGHT Dancing crowd. We pan up to the catwalk where Emmett stands between Michael and Brian. Behind them is a giant TV screen broken up into smaller screens showing the dancing action beneath them. EMMETT You know, the worst part is not that he was unfaithful, or even a slut. I mean, nobody's perfect. It's that he said he loved me. I mean, he lied to me. BRIAN How could he lie to you? He doesn't speak English. MICHAEL Look, I'm the one who told you that. I'm sorry. EMMETT My own fault. Why do I always give my heart away to trash, huh? BRIAN Because you want to see it in the dumpster? They give him dirty looks. INT. DANCE FLOOR Hottie dancing. INT. CATWALK Brian and Hottie make eye contact. Brian smirks and straightens up. BRIAN He's not getting away this time. He walks down the stairs and into the dancing crowd. CUT TO: TED'S APARTMENT - NIGHT Ted unlocks the door and walks in, flicking the light on. Blake follows. After peeking in and then shutting a door to the left, Ted rejoins Blake. BLAKE It's a nice place. You own it? TED Oh, absolutely. You know, your home is your most important investment. [pause] It's, uh, what we tell our clients. Do you want, uh, a beer or some scotch? BLAKE No, just some water. I don't drink. TED Well, uh, take off your jacket. I-I'll, uh, be right back. Ted goes to the kitchen. He grabs a bottled water and a beer. He fixes his hair in the magnetic mirror on the fridge door, then joins Blake on the couch, handing him the water. TED Here you go. BLAKE Thanks. Ted drinks his beer. Blake pours his water into a glass. They look at each other and laugh. Drink some more. BLAKE You're sexy, you know that? TED Yeah ... frankly, no. BLAKE That's why you are. He squeezes Ted's knee. BLAKE Because you don't know you are. Long pause. TED Well, I-I do know ... that you are beautiful. Blake edges closer. He runs his fingers over Ted's hair. Ted closes his eyes and relaxes. They kiss. CUT TO: INT. BABYLON - NIGHT Brian swoops in on Hottie, leaning to whisper in his ear. INT. CATWALK Michael and Emmett are watching Brian. EMMETT Bastard. MICHAEL He doesn't even have to try. INT. DANCE FLOOR Brian and Hottie dancing. INT. STAIRCASE Justin and Daphne watching Brian. DAPHNE Look, he's got someone. CUT TO: INT. TED'S APARTMENT - NIGHT Ted and Blake making out. Shirtless and laying atop Ted, Blake rubs Ted's crotch, then breaks the kiss to sit up. BLAKE Hold it. TED You're not going? Blake grins and kisses him. BLAKE No way. Blake pulls a vial out of his jacket pocket. He pours a clear liquid into the water glass. TED What is that? BLAKE It's GHB. You ever use it? TED Once in a while. BLAKE Sex is awesome with it. He offers the glass. BLAKE You first. TED Ahh... Ted takes the glass. BLAKE Go on. Ted toasts him with a click of his tongue. He chugs most of the water before Blake stops him. BLAKE Whoa. Whoa whoa whoa whoa whoa whoa! Blake sets the glass down. Ted holds his arms out. TED I don't feel anything. Ted dives for Blake, pushing them backwards and starts kissing again. CUT TO: INT. BABYLON - NIGHT Brian and Hottie dancing. Brian makes 'come here' fingers to a Muscled Guy a few feet away. Muscle Guy incorporates a 'no no' finger move into his dancing and stays where he is. INT. CATWALK EMMETT He's not! He can't! MICHAEL He can. They watch Brian again wave for Muscle Guy. This time Muscle Guy slowly dances over. Brian leans over to say something in his ear. EMMETT How does he do it? What does he say? MICHAEL We'll never know. But whatever it is, he says it for all of us. CUT TO: INT. TED'S APARTMENT - NIGHT Ted and Blake making out. Ted pulls away and looks ill. BLAKE Hey... Hey, you all right? Ted waves weakly, barely speaking. TED Yeah... Ted manages to stand up, but is unsteady. After a few head shakes, he reaches out. We see a photo of him with Emmett and Michael taken at Babylon's bar. Ted's eyes roll back in his head and he collapses. CUT TO: INT. BABYLON - NIGHT Brian dancing with Hottie and Muscled Guy. INT. STAIRCASE DAPHNE Is he gonna do it with both of them? JUSTIN He can do anything he wants. Hand at the top button of his shirt, Justin descends the stairs. DAPHNE What are you doing? Justin walks onto the dance floor, flinging his shirt aside. Glitter starts to fall as he makes his way to Brian. Spotting him, Justin pauses a second before joining a group of twinks to dance near Brian. Justin quickly gains Hottie's attention, and glances over his shoulder several times, grinning. Suddenly Hottie drifts over to dance with him. Muscled Guy follows a beat later, leaving Brian dancing alone. But only for a second, as Brian turns to face the threesome and keeps dancing, face not amused. INT. CATWALK Michael isn't amused either. Emmett grins as he watches below. EMMETT What's that boy doing? CUT TO: INT. TED'S APARTMENT - NIGHT Ted is convulsing on the floor, Blake at his side. BLAKE Oh god, stop! Oh my god. Stop! Stop. Ted? Oh my god. Ted! Blake falls back, panicked. Grabbing the vial off the coffee table and his jacket, he runs out. CUT TO: INT. BABYLON - NIGHT Dance floor. Brian is smirking. Hottie and Muscle Guy have Justin sandwiched between them as they all dance, hands roaming over Justin's bare skin. Brian isn't smirking anymore. INT. CATWALK Michael watching. INT. DANCE FLOOR Justin dancing with the guys. CUT TO: INT. TED'S APARTMENT - NIGHT Ted laying on the floor, eyes open but he's not moving. CUT TO: INT. BABYLON - NIGHT Justin dancing with the guys--until Brian cuts his arms into the cozy mix and effectively slices Hottie and Muscle Guy off of Justin. Justin claimed, Brian and he dance very closely. Hands on Justin's hips as he arches into the touch, Brian licks Justin's chin. INT. CATWALK Watching all this, Michael shakes his head, unhappy. INT. DANCE FLOOR Justin wraps his arms around Brian's neck. Brian slides down to lick a path up from Justin's chest to his neck. They kiss. INT. CATWALK Michael watching. INT. DANCE FLOOR Brian and Justin kissing. INT. STAIRCASE Daphne watching and grinning. INT. DANCE FLOOR Brian and Justin dancing and grinning. Aerial shot of the crowd, then back as Brian lifts Justin in the air. INT. CATWALK Emmett dances himself off-screen. Michael remains leaning on the railing. Behind him, the TV screens break into threes and show Brian and Justin dancing, first looking at each other, then grinning into the camera. The screen dissolves into one large shot of them. We pull in closer toward Michael until the shot is just him and the TV screen shot of Brian. FADE TO BLACK.

Page 1 of 1	All times are UTC - 5 hours
Powered by phpBB® Forum Software © phpBB Group https://www.phpbb.com/