Forever Dreaming :: 09x01 - Know This, We've Noticed

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09x01 - Know This, We've Noticed https://foreverdreaming.org/viewtopic.php?f=121&t=8273	Page 1 of 1

Author:	bunniefuu [ 01/25/12 11:08 ]
Post subject:	09x01 - Know This, We've Noticed
ONE TREE HILL WAGON RESTAURANT The restaurant burns. NATHAN(voice-over): Someday, after mastering the winds, the waves, the tides and gravity, we will harness for God the energies of love. And then for the second time in the history of the world, man will have discovered fire. CAR Dan is in a car with Chris Keller. He has a gun. DAN: If you can, leave the killing to me. I'm already on the list. CHRIS: Chris Keller doesn't like this. DAN: Let's go. POLICE'S CAR Chase is arrested. CLINN'S HOUSE Clay and Quinn argue. QUINN: Clay, listen to me! I told you I don't want your help. Can't you see that you're in trouble? We need to figure this out! CLAY: I told you to go! I don't need you here, Quinn! QUINN: You don't mean that. CLAY: You're right. It's not that I don't need you here...it's that I don't want you here! Get out! CAFE Brooke messes up the cafe. MORGUE Haley comes to see a body. She cries. STREET Julian is fighted. JULIAN: Is that all you got? BRULIAN'S HOUSE Brooke sleeps and hears babies crying. BROOKE: Julian. Julian, can you get him? (Julian is not in the bed) BROOKE: Hey... babe? Brooke enter in the living room and sees Julian with Davis in him arms. BROOKE: Jude again? JULIAN: Davis. BROOKE: He's been sleeping so well. JULIAN: I think they tag off. That way, they both get their rest, unlike us. BROOKE: It'll get better. JULIAN: We said that months ago. Seriously, I say we go with plan "B"...we find a really nice mansion and leave them on the porch. After that, we sleep, we go to movies, we go to restaurants, and we never speak of this again. BROOKE: I'll take him. Oh, what have you got to be so grumpy about? Hmm? You want this? JULIAN: I got to sleep. BROOKE: Okay. JULIAN: Every night, every hour, you're driving around in the car, I'm walking around like a zombie. People say it gets better? People lie. BROOKE: You're stressing out about the sound stage? JULIAN: Yeah. It's gonna work out, right? BROOKE: It's gonna work out. JULIAN: It has to. BROOKE: It will. And then we'll see movies... and maybe even sleep. I promise. See? Yeah... (Jude crying) BROOKE: I got it. JULIAN: Plan "C"... we take them to an orphanage. They're cute. Somebody will take them. BROOKE: Somebody would. Somebody would take you. NALEY'S HOUSE/AEROPORT Nathan calls Haley. HALEY(at phone): hi, honey. NATHAN(at phone): I woke you up. I'm sorry. I thought you'd be up with Lydia. HALEY(at phone): No. No, she's not doing that 5:00 a.M. Thing anymore, which her daddy would know if he was ever here. NATHAN(at phone): All right, you know what? This is all just a bad dream, Haley James. Go back to bed. HALEY(at phone): Don't you dare. I miss you. NATHAN(at phone): Not as much as I miss you. But soon I will be home, Clay will go to Europe, and we can all be a family again. HALEY(at phone): It's better when you're here. NATHAN(at phone): Yeah. It is. Okay. You go back to bed. I'll call you when the sun's up. HALEY(at phone): That's like 10 minutes from now. NATHAN(at phone): 10 minutes, I'll call you back. HALEY(at phone): You better not. I love you, Nathan Scott. NATHAN(at phone): I love you, too, angel. Sweet dreams. PARK Clay is lying on a turned round. WAGON RESTAURANT The restaurant burns. Dan is in front of the built. NATHAN(voice-over): People say hell is endless. They say it's our worst nightmare, the face of our darkness. But whatever it is, however it is, I say hell is empty...and all the devils are here. KAREN'S CAFE Haley comes in and sees the door is opened. HALEY: Hello? PARK Quinn picks up Clay. CHASE'S LOFT Chase and Alex are in the bed together. The alarm clock beeps. ALEX: Oh, my God, what is that? CHASE: Smoke alarm. ALEX: Mm. Stop, drop, and roll. (Chase gets up) ALEX: Why'd you do that? CHASE: What? ALEX: Put the clock all the way over there. CHASE: Because we have a big shipment coming in at tric, and my girlfriend's so hot that if I don't, I won't get up. ALEX: Mmm. Are you sure you have to go? CHASE: You're the devil. You know that? ALEX: You love it. CHASE: What the hell? A bar doesn't need booze, right? ALEX: Go to work, my sexy fighter pilot/ bar manager. CHASE: Tonight, you and me, this bed...we'll do some things. ALEX: Mmm. I hope so, especially since I'm gonna tease you all day long. CHASE: Oh, be careful, dupre. I might tease back. I like waking up to you. ALEX: I like waking up to you. OFFICE Julian signs some papers. PARK Quinn and Clay talks about Clay's problem. QUINN: You have to see someone. CLAY: A lot of people sleepwalk. QUINN: Around their bedroom, and then they get back into bed. They don't get dressed, grab their phone, and go sleep in a park. CLAY: If it happens again, I'll go. QUINN: "Again"? Clay, the first time, I found you out by the pool, where you could have sleep-drowned, then out on the beach, and now in a park a mile away. CLAY: I know. But I feel like I'm gonna be fine. I promise. Just no doctors, okay? Not yet. KAREN'S CAFE Brooke enters in the cafe. BROOKE: Hi. Hi, everyone. ALL: Hi, Brooke! BROOKE: I love that. HALEY: Hey. So, you getting any sleep? BROOKE: Nope. It's terrible. HALEY: No, you got to let them cry it out. BROOKE: I can't! They team up on me with their wonder-twin powers of cuteness, and it's like I get a double dose of guilt. How do you do it? HALEY: Um, iPod and a glass of wine. BROOKE: I just feel bad for Julian. He's so exhausted and stressed out about the sound stage. He signs the papers today. HALEY: That's exciting. BROOKE: I know, but he's freaked out about the loans. It's a lot of money. HALEY: Yeah, well, iPod and a glass of wine. All right, I'm gonna go meet the guy that's gonna run red bedroom. BROOKE: Run red, run red. I need to sleep. HALEY: Yes, you do. BROOKE: Yeah. HALEY: Oh, hey, um, when I got here this morning, the front door was wide open. BROOKE: What? HALEY: Everything was fine, but just try and, like, make sure you lock up tight when you leave. Okay. See you. BROOKE: Good luck. HALEY: Bye, Lydia! Bye, baby. Mwah! I love you! Bye, Quinny. QUINN: Love ya. HALEY: Bye, Clay. iPod and a glass of wine. Bye, everyone! ALL: Bye, Haley! HALEY: Love that! SOUND STAGE Julian enters in his new investment. RED BEDROOM RECORDS Haley meets the new guy who run the label. It's Chris Keller. HALEY: Hello? CHRIS: Well, well. HALEY: Nope. No. CHRIS: All right, you sound like the last four girls I asked out. HALEY: What are you trying to pull off, Chris? CHRIS: You still sound like the last... HALEY: What? CHRIS: You hired me to run the label. Okay, Chris Keller was using a fake name, but... you look hot, by the way. HALEY: You are not running the label. CHRIS: Okay, okay, you don't look hot...Even though you do. Look... the point is, you liked the guy in the e-mails. HALEY: Yeah, I liked the guy in the e-mails. The guy in the e-mails was Harry Johnson. I liked Harry Johnson. "Harry Johnson"... that's nice. Nice to see you've grown up over the years, Chris. CHRIS: Come on! That's funny. Look... just... just give me a chance. Besides, the parent company already signed off on me, and they're kind of your boss, so... HALEY: So, I'm gonna talk to them. And this little arrangement is temporary. Don't get too comfortable. Liar! CHRIS: This is gonna be great! Did I mention you look hot? TRIC Haley gets out the label's office. Chase is here. HALEY: Stupid, lying, arrogant, third-person-talking jerk! CHASE: Hey. HALEY: "Harry Johnson." CHASE: "Harry Johnson"? (Cellphone vibrates, Alex texts him) CHASE: Whew. BRULIAN'S HOUSE Brooke talks to her sons. BROOKE: Hey. Dude. Wake up. We are awake during the day. Mm-hmm. Oh, yeah. You get a job, you go to work, and you can sleep at night. Yeah. Yeah. (Knock on door, baby cries) BROOKE: Oh, look who's upset when he doesn't get to sleep. Join the club. It's Victoria. VICTORIA: There they are. My handsome men. Yes, you are. Oh, you're just fabulous. BROOKE: Hi, mom. VICTORIA: Oh, you're just fabulous. You're the fabulous baker boys! Yes, you are! Ooh, yeah. Let me hold you. BROOKE: Okay. VICTORIA: These outfits are adorable, Brooke! BROOKE: Thank you. I made them, which brings me to this. I have an idea for a new line. VICTORIA: Oh, but you already had baby Brooke. BROOKE: Yes, I did have baby Brooke. But thanks to you, I no longer have it, or any of my wealth. Yeah. Thank you, Victoria and Millie the crackhead, yes, yes. You love me so much. And besides, that was for girls. This would be for boys, and we'd call it... Should we tell grandma what it's called? Should we say "paddy cake, paddy cake, baker man"? A line of designer duds for your little man...Or men. We could start over, mom. What do you think? VICTORIA: Yeah. We will, honey. It's just that, you know, the way that the men's line struggled and with the economy the way it is... BROOKE: Yeah. It's okay. It was just an idea. VICTORIA: No, but we'll find it, sweetie. Now, do you need help with the christening tomorrow? BROOKE: No. We'll just meet at the church. By the way, I invited daddy. VICTORIA: Why on earth would you do that? BROOKE: Because I asked him to be a godparent. VICTORIA: Your father? Does he even know you have children? BROOKE: He said he would. VICTORIA: Well, he said he'd be at your wedding. He lies. Whatever makes you think he'll change? BROOKE: You did. They're his grandchildren, too, mom. He should know them. RED BEDROOM RECORDS Alex comes and sees Chris. He listens to Alex's music. ALEX: Hey. CHRIS: Hi. ALEX: Pretty good, huh? CHRIS: What? I-I can't hear you over this crappy song. ALEX: Don't call my song crappy. CHRIS: It's the truth. Well, actually, the song is good, and you're good, but this production's all wrong. Where's the slide guitar? Where's the Hammond? ALEX: It's an acoustic track. CHRIS: It's crappy. ALEX: You're crappy. CHRIS: Look... if you want someone to tell you how great you are, go talk to your boyfriend. Okay. Chris Keller was hoping you'd say, "I don't have a boyfriend," but that doesn't really matter, does it? ALEX: What's that supposed to mean? CHRIS: It means you're an actress. ALEX: What's that supposed to mean? CHRIS: It means you're used to being treated special. It means you need constant praise and positive feedback. It means you stand there with your arms crossed, staring at me with this really sexy pout when you have to hear that this version of your probably not-bad song is crappy. ALEX: It's unbelievable how much I hate you. CHRIS: Nice. See, in the movies, this is sexual tension. We argue first, and then slowly you start to like Chris Keller, and then we do it. We can skip the "slowly" part if you want to. ALEX: I hate you. I hate you! CHRIS: The song's crappy! That ass is not. CHASE'S LOFT Alex comes back upset. ALEX: Stupid, lying, arrogant, third-person-talking jerk! CHASE: Hey. Should I put my pants back on? CLINN'S HOUSE Clay goes to bed. Quinn is already in bed. CLAY: Remember when you were a little kid and it was impossible for your parents to get you to go to bed? Now I can't wait to sleep. QUINN: It's probably because you've been walking around like a zombie every night and your body's exhausted. CLAY: Not every night. Not tonight. You'll see. You staying up? QUINN: I'm just gonna finish this article. CLAY: All right. Night, babe. QUINN: Night. (Quinn tries to stay awake all the night. She reads an article, watches a movie, plays games on her tablet) NALEY'S HOUSE Haley goes downstairs and sees the door is opened. She locks it. She checks up Jamie and her cellphone rings. HALEY(at phone): You scared the hell out of me. NATHAN(at phone): I'm sorry. You okay? HALEY(at phone): Yeah. I just don't know why we bought such a big house. It's really spooky when you're not here. NATHAN(at phone): Like spooky for a reason,or "you watched a scary movie" spooky? HALEY(at phone): They're both spooky, okay? Besides, it isn't fair when you're supposed to have a big, strong husband that should be here, and I sleep better knowing that your side of the bed is closer to the door because if somebody breaks in, they...they're probably gonna get to you first, and then I can run, okay? NATHAN(at phone): You say the sweetest things to me, Haley James. HALEY(at phone): I just miss you. I want you to come home. I feel spoiled when you're here. NATHAN(at phone): Well, prepare to be spoiled because I'm gonna be home tomorrow night... or the next day, depending on these flights. HALEY(at phone): Really? That just made my heart race. NATHAN(at phone): Mine too. Now, you take that feeling, and you go back to bed, okay? I'll be home before you know it. HALEY(at phone): Okay. I can't wait. I love you, Nathan. NATHAN(at phone): I love you, too. Sweet dreams. HALEY(at phone): Okay. (Someone tries to enters in the house) BROOKE'S CAR Brooke drives in the town to calm down twins. She narrates. BROOKE(Voice-over): They like it when I drive. So I drive. It's funny. I grew up in Tree Hill. I've spent most of my life here. But it wasn't until my sons were born and couldn't sleep that I really got to know this place. That used to be my view of Tree Hill at 2:00 a.M. Brooke sees her young few years ago. BROOKE: Aah! BROOKE(Voice-over): Well, my partial view. Now this is my view. We drive the same streets I drove in High School and listen to the same music... at least, when we can agree. Sometimes we try the '80s, sometimes classic rock."Explosions in the sky" works for all of us. 2:00 a.M., 3:00 a.M., 4:00. We drive and we think... And we fuss a bit. Brooke eats in a drive fast-food. BROOKE(Voice-over): Sometimes we eat. Well, I eat. I guess some people might let it wear on them, the lack of sleep. But I don't mind it, really. I like Tree Hill like this. I like my car like this. Warm... Safe... Loved. BRULIAN'S HOUSE Brooke goes to sleep. BROOKE(Voice-over): It's what I wished for. Mostly. JULIAN: They're buying boys in China. I got it. (Julian gets up) BROOKE(Voice-over): How my life turned out... in a good way. It doesn't mean there haven't been hardships. There have been. But I'm here, and here is good. CLINN'S HOUSE Clay wakes up. Quinn drinks tea. CLAY: Hey. QUINN: Hi. CLAY: Did you sleep? QUINN: Not really, but I'm okay. CLAY: Quinn... I'm still here. I told you it's gonna be okay, but you can't do this every night. QUINN: I'm going to, because I'm worried about you. CLAY: Okay. Did you stay up all night? QUINN: That's mine. CLAY: Okay. We'll go see a doctor. QUINN: Today? CLAY: Today. QUINN: Thank God. I spent so much money shopping online last night. I bought you leather pants. You have to wear them for me, shirtless, and let me take photos of you. CLAY: Mm. Uh, yeah, only if I can grow a mustache, and you have to call me Sergio. QUINN: No, Clay, you have to! CLAY: Who's Clay? QUINN: Sergio. CLAY: Is better. DOCTOR'S OFFICE Clay goes to see doctor. DOCTOR: And how many times has this happened? CLAY: Three times that I know of. I mean, where I completely left the house. I don't remember anything. I just go to bed, and I wake up someplace else. QUINN: He also goes by the name Sergio sometimes. CLAY: She's joking. DOCTOR: And what else is going on with you, besides going by a Latin alias? CLAY: Just working, you know? And that gets me a little bit stressed out, but otherwise, nothing much. DOCTOR: Other than getting shot, you mean. Well, I'd like to run some neurological tests, and I'm going to write you a prescription for something that might help you sleep. CLAY: Great. I'll have what she's having. (Quinn sleeps) CHURCH Brooke and Julian wait Brooke's father. Haley and Victoria are here too. JULIAN: We could always make Nathan their godfather. BROOKE: He'll be here. JULIAN: Or maybe Jamie. BROOKE: He'll be here. JULIAN: He'll be here. VICTORIA: Well, I've called the golf courses, the bars, and the strip clubs. I don't think your father's in town. BROOKE: Nathan would be great. HALEY: I'm sorry, Brooke. I wish your dad could have been here. I wish Nathan could have been here. VICTORIA: Well, let's look on the bright side...if Nathan's here one day out of the next 10 years, he'll be doing better than Ted. BROOKE: And you wonder why Haley's the godmother. (The pastor makes a sign) BROOKE: Okay. Come on. HALEY: Um, Victoria, could you hold her for me? VICTORIA: Of course. BROOKE: Hi. This is Haley. She is one of the godparents. And, um, the other one isn't here... Yet. Maybe if we could just wait a few... (Someone comes in. It's Brooke's father) TED: Sorry to interrupt. I'm looking for the casino. BROOKE: Daddy! HALEY: Wow, it's like seeing a bigfoot. VICTORIA: Trust me... his feet aren't that big. BROOKE: Daddy, this is my friend, Haley. TED: Hi, Haley. It's nice to finally put a face with all the wonderful stories. HALEY: Oh, you too. BROOKE: And this is Jude and Davis. TED: Well, now. Julian, your boys have their mother's good looks. JULIAN: Yes, they do. Good to see you, Mr. Davis. TED: Come to your grandpa. You know, Vicky, you should have that cough checked. It could be serious at your age. Shall we begin? BROOKE: Mm-hmm. TED: Hello, padre. Ted Davis. Pleasure. CHASE'S LOFT Alex teases chase on the bed. CHASE: You shouldn't tease the tiger! ALEX: I'm sorry. I'm sorry. Don't eat me up first, tiger. Mmm. Maybe do. CHASE: I do like waking up to you. ALEX: Me too. I'm sorry about last night. CHASE: It's okay. I don't have any plans right now. Do you? ALEX: Just the devilish ones I have for you. Mmm. He said my song was crappy. CHASE: Stop it. ALEX: I'm sorry. I'm sorry. I'm sorry. Mmm. Yum. It was an acoustic track. People like acoustic tracks. CHASE: Alex. ALEX: He was just so mean about it. CHASE: Which track was it? ALEX: "What I love about your love." CHASE: Really? Acoustic, huh? ALEX: Damn it, he's right. RED BEDROOM RECORDS Chris sings, Chase stops it. CHASE: Stop telling my girlfriend her song's crappy! You hear me? I had an amazing sex life until you showed up, you peacock-looking dork! CHURCH Julian goes outside to take a call. JULIAN(at phone): This is Julian. Okay. What kind of bad news? (Clay pass in front of the church in car. Quinn sleeps on the car) JULIAN: Okay. Well, is there anything I can do? Haley plays with Lydia. Ted joins her. TED: Oh, she's just beautiful, Haley. Those big eyes. Her daddy's gonna be busy protecting the castle. HALEY: Yes, he is. (Victoria comes too) VICTORIA: Well, well. TED: The old gray mare. She ain't what she used to be. VICTORIA: Imagine that... Robert Theodore Davis in a church, and it's still standing. (Dan enters in the church, Haley sees him) HALEY: Not for long. Uh, could you hold her for a minute, Victoria? VICTORIA: Oh, I thought you'd never ask. TED: How was prison, Vicky? VICTORIA: A lot like living with you, Ted. Mm. Except the sex was better. TED: Oh. I'll bet. You finally got to be the man. VICTORIA: Someone has to be. TED: Yeah. Haley goes to Dan to talks to him. HALEY: Well, I'm assuming this is not a coincidence. DAN: Hi, Haley. She's... she's beautiful. HALEY: What are you doing here, Dan? DAN: I called the house looking for Nathan. HALEY: He's out of town. DAN: Yeah, I talked to Jamie. He said you were here. HALEY: Okay. DAN: I had a fire at the diner. I lost everything. HALEY: I'm sorry to hear that. DAN: I had a little place in the back, you know, where I lived... it was my home. I'm not proud of this, Haley. HALEY: How much do you need, Dan? DAN: I don't want your money. I'll get back on my feet. I was just hoping... I just thought maybe you could put me up for a couple of days, just until I can sort things out. HALEY: I, uh, can't get a hold of Nathan, and even if I could, I really don't think that... DAN: I know what I've done, Haley. I know how Nathan feels about me. So you have to know that I wouldn't be here unless I had no other place to go. Do you know what it's like to have a beautiful granddaughter and have no expectations of holding her... Or to accept the fact that you'll never be a part of your son's family? Either son. I know what I've done. I know what I created. I just need a little help. Please. RED BEDROOM RECORDS Alex comes in and tries to talks to Chris. He listen to music. CHRIS: Did you just throw your shoe at me? ALEX: I'm gonna throw more than that at you. You know, there's a way to give constructive criticism, and if you just think that you can just come in here and just, you know, be just some big jerk... (He cuts the sound) CHRIS: You finished? ALEX: No! You have a lot of nerve to just waltz in here and tell me that my song's bad when actually... (He cuts the sound again) CHRIS: Now? ALEX: No, and quit lifting your finger off the "talkback" button, you jerk. I know what you're doing. (Chris put Alex's song) ALEX: How'd you do that? CHRIS: Recorded all the instrumental parts. I just isolated your vocal and then pasted it in. ALEX: Well, when? CHRIS: Last night. ALEX: By yourself? CHRIS: Chris Keller likes jamming with Chris Keller. That way, he works with the best. ALEX: Next time, ask me first. It's my song. I could sue you. Other than that... It's good. CHRIS: It was already good. It was just recorded crap... it just needed to be produced better. Now, you want to go in there and re-record the vocal, or do I need to do that, too? ALEX: I'll do it. CHRIS: Good. Hurry it up. Chris Keller's got moves to make. And put your shoe back on. It smells like feet in here now. ALEX: It does not! NALEY'S HOUSE Haley give some blanket to Dan for the night. HALEY: Okay, the guest room is all made up. DAN: Thank you, Haley. HALEY: It's just for a night or two. You're gonna have to make other arrangements. DAN: Of course. Have you spoken to Nathan yet? HALEY: No, I haven't, but I will. And if he says you have to go, you're gonna have to go. DAN: I understand. (Jamie comes in) JAMIE: Mom? DAN: Hi, Jamie. JAMIE: Grandpa Dan! DAN: Hey, buddy. Oh, I missed you. CLINN'S HOUSE Clay is ready to sleep and Quinn finishes her article. QUINN: What? CLAY: You were pretty badass last night, keeping me safe. QUINN: I got to watch out for my man. CLAY: Yeah, well, your man loves you for it. But you got to get a good night's sleep. QUINN: Did you take your pills? CLAY: I took my pills. QUINN: Do you feel okay? CLAY: I feel fine. I'm right here. I love you, and I'm not going anywhere. So go on and close those pretty eyes. It's my turn to watch you sleep tonight. BRULIAN'S HOUSE Brooke and Julian are in the bed. They talk. JULIAN: Your mom really hates your dad. BROOKE: I know. It's been like that as long as I can remember. Ugh. I showed her my ideas for baker man. She wasn't into it. JULIAN: Oh. Sorry, baby. So, I didn't tell you this because I didn't want to spoil the whole day, but the movie that was going to rent our stage fell through. They called when we were at the church. BROOKE: Is there any chance that could change? JULIAN: Usually not. So now I have all this equipment, a huge loan, and an empty sound stage. BROOKE: What are we gonna do? JULIAN: Well, first I'm gonna rock your world. BROOKE: Oh. JULIAN: And then we're gonna get some sleep. And tomorrow I'm gonna go to work and figure it out. (Baby crying) BROOKE: Oh, my God. Right on schedule. JULIAN: Mm-hmm. (Brooke gets up) BROOKE: See you in the morning. JULIAN: You want me to come? BROOKE: No. You have a studio to run. Get some sleep. I love you. JULIAN: Be careful. I love you, too, baby. RED BEDROOM RECORDS Haley comes to see Chris. CHRIS: Well, well, it's the Haley James late-night booty call. HALEY: "Haley James Scott," and it really isn't. What are you doing here so late? CHRIS: Just, uh, getting caught up, trying to figure out how best to run this label... if you let me, that is. HALEY: Mm. Well, Alex did say that you helped her in your own offensive way. CHRIS: Alex said I helped her, huh? Look... just because I tell the truth and just because I say you smell good when you do... and you do... does not mean I'm here to cause trouble. Okay? I really am here to help. HALEY: If that's true...then you can stay. But you are on double-secret probation! Don't screw up. CHRIS: Nice! Haley, let me ask you something... what's the deal with Alex and her boyfriend? HALEY: I'll see you later. CHRIS: Haley. Chris Keller missed you. CHASE'S LOFT Alex is ready to go sleep, Chase is already in the bed. CHASE: How was he... any better? ALEX: Shh! I don't want to talk about him. I'm kissing my boyfriend. CHASE: That's a great answer. ALEX: The only thing better than waking up with you is ending the night with you. CHASE: Hmm. (They kiss) STREET Brooke drives for the twins. Clay walks away in the night. SOUND STAGE Julian enters and looks at it. NALEY'S HOUSE Dan enters in the Lydia's room to take her in his arms. DAN: Yeah, there's your little bear. Let's take a look. Oh, you got your bear? Did you get your bear? Yeah? NATHAN(Voice-over): People say hell is endless. DAN: Oh, it's so exciting. (Nathan enters in the room and sees Dan with his daughter in his arms) NATHAN(Voice-over): They say it's our worst nightmare...the face of our darkness. DAN: Hello, son. Welcome home. NATHAN(Voice-over): But whatever it is, however it is, I say hell is empty...and all the devils are here. End of the episode.

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